Stephan Schesch | Dr. Grob's Animation Review

Directors: Stephan Schesch & Sarah Clara Weber
Release Date: June 8, 2012
Rating: ★★★½
Review:

Germany is the biggest economy of Europe, but as producer of animation it’s a surprisingly minor player, especially when compared to France. It certainly didn’t help that the Nazi regime virtually wiped out all art life, and that from 1949 until 1991 the country was split into two.

When I think of post-war German animation I immediately think of Die Maus (The Mouse), the silent host of the educational children program ‘Die Sendung mit der Maus’, and of die Mainzelmännchen, the six little guys who embellish advertising blocks on German television since 1963. Germany also boasts some major independent animation artists, like Raimond Krumme, Andreas Hykade and Gil Alkabetz, but otherwise the country produces mostly rather listless feature films which make no impression whatsoever.

So it came as a surprise to me to find in a department store in Berlin an animated film based on a children’s book by Tomi Ungerer, one of the greatest children’s book artists in the world. Even more surprisingly, this is not the first German feature film based on his work. In 2007 Animation X Gesellschaft zur Produktion von Animationsfilmen mbH released a film based on Ungerer’s classic ‘Die drei Räuber’ (The Three Robbers) from 1961. I certainly wish to see that film, too, because ‘Der Mondmann’ is a pleasant surprise.

This feature film is much more elaborate than Ungerer’s original children’s book from 1966 (which Gene Deitch already turned into an animated short in 1981), but the character designs of the moon man and the children are very faithful to Ungerer’s artwork. Even better, Ungerer himself appears as the narrator of the tale (although his voice over is hardly used in the film). The adult characters, however, are more removed from Ungerer’s style, as is the extraordinarily colorful background art, which has a trace of surrealism to it. The looks of the film are on the verge of independent animation, but remain friendly and inviting nonetheless.

The story tells about the moon man, who occupies the complete sphere of the moon, and who is bored to death inside this cramped space. One day he grabs the tail of a fiery comet and descends to earth, hoping for some excitement. The shots of the moon man discovering animals and plants are particularly delightful. Earth, meanwhile, has apparently been occupied by a rather fascist looking regime (a great take is that its flag features a flag). The world president mourns he has conquered the complete world, and has nothing left to conquer, until some lady suggests to conquer the moon. Apparently, in this parallel universe space travel has not been invented, yet, while for example cell phones have.

The world depicted thus is not entirely ours, and this adds to the atmosphere of surrealism, as do several odd side gags that enter the screen and which are completely unrelated to the story. This type of throwaway gags are reminiscent of ‘La planète sauvage’ (Fantastic Planet) from 1973, and indeed, ‘Der Mondmann’ has something in common with that strange film, even if it is much friendlier, and less bizarre. These gags keep the adult audience awake in a film that is otherwise clearly directed to children. There’s also a running gag of a military officer who keeps saying “höchst bedauerlich”(most regrettable) as answers to the president’s complaints.

Anyway, both the Moon Man and the president turn to an inventor called Bunsen van der Dunkel to bring them to the moon. The moon man all too quickly discovers that Earth is not an entirely welcome place, and he discovers his role in the lives of children, who cannot sleep without him watching over them. The central theme of the film is what it means to be friends, something both Bunsen van der Dunkel and the Moon Man discover during the film.

‘Der Mondmann’ is well-told, focusing on only a handful characters, but it is also one of those delightful non-American feature animation films completely throwing American story rules overboard. For example, the film stars a father and his daughter travelling inside an American 1950s cabriolet. The two return several times during the film, but are only marginally involved in the plot. Despite being a children’s film there’s also a clear suggestion of a sex scene. The music choice, too, is pretty idiosyncratic, with important roles for the songs ‘Moon River’ sung by Louis Armstrong and ‘In-A-Gadda-Da-Vida’ by Iron Butterfly.

In all, ‘Der Mondmann’ is arguably the greatest animated feature film to come from Germany in the 2010s and well worth a watch, especially because it is available with English subtitles.