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Director: Dick Lundy
Release Date: September 27, 1952
Stars: Droopy, The Wolf
Rating:
Review:

Caballero Droopy © MGMIn 1950 Tex Avery left MGM for a sabbatical, most probably due to overwork. Dick Lundy was hired to replace him, and the first cartoon he directed at MGM was ‘Caballero Droopy’.

This short’ is strangely reminiscent of the cartoons of Lundy’s former employer, Walter Lantz, with which it shares a lesser quality: both the designs and the animation are sub-par. It’s really as if this cartoon was made at Walter Lantz instead of at MGM.

For ‘Caballero Droopy’ Lundy revived the wolf, gave him a mustache and placed him into a Mexican setting, in which he tries to outdo Droopy in serenading the phlegmatic dog’s girl. The cartoon is full of Tex Averyanisms, but due to its low production quality it never takes off.

‘Caballero Droopy’ remained the only Droopy cartoon Lundy directed. He moved on to the ailing Barney Bear series, before he had to leave MGM on Tex Avery’s return in October 1951.

Watch ‘Caballero Droopy’ yourself and tell me what you think:

http://www.ebaumsworld.com/video/watch/83899298/

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Director: Tex Avery
Release Date: November 17, 1951
Stars: Droopy, Spike
Rating: ★★½
Review:

Droopy's Double Trouble © MGMDroopy is a butler in a mansion who invites his incredibly strong brother Drippy to join him at work.

The pair is told to let nobody into the house while the master’s away, but Droopy brings in his old pal, the tramp Spike. What follows is a series of confusion gags, in which Spike is pampered by Droopy and clobbered by Drippy.

The comedy is less inventive than in earlier Droopy shorts, and ‘Droopy’s Double Trouble’ is arguably Avery’s weakest Droopy cartoon. Spike is in no sense the funny, mean cheater he was in earlier cartoons, like ‘The Chump Champ’ (1950) and ‘Droopy’s Good Deed’ (1951). He speaks with a strange, Irish(?) accent and is only a meek and unfunny victim of the confusion gags.

Watch ‘Droopy’s Double Trouble’ yourself and tell me what you think:

https://archive.org/details/DroopysDoubleTrouble

Director: Tex Avery
Release Date: April 9, 1949
Stars: Droopy, the Wolf, Lina Romay
Rating: ★★★★★ ♕
Review:

Señor Droopy © MGM‘Señor Droopy’ is one of Tex Avery’s most classic cartoons and arguably the best bullfight cartoon of all time, another candidate being Chuck Jones’s ‘Bully for Bugs’ from 1953.

‘Señor Droopy’ is set in Mexico and features the wolf as an overconfident champion bullfighter and Droopy as his measly challenger. Both are in love with Mexican film star/singer Lina Romay, but it’s of course Droopy who wins her: the last scene shows live action footage of this forgotten film star petting our happy hero.

But it’s of course not the story that makes the short so memorable. It’s the gags, and they come in fast and plenty. The film is stuffed with Avery’s own weird logics and cosmic laws, which lead to many a hilarious situation. The best example of Avery’s unique logic may be the following gag: when the bull has vanished between two wooden doors, the wolf closes them together, then another time, but this time vertically, reducing their size by two. He continues doing so until the large doors have been reduced to a tiny cube. He then casually throws the cube behind him, which quickly unfolds to the size of the original doors, which open to reveal a stairway to a cellar, from which the bull rushes back into the arena. Seeing is believing.

‘Señor Droopy’ is not entirely flawless: the wolf’s transformation from über-confident to panic-stricken is not really convincing, and Avery reuses the road gag from ‘Wild and Woolfy‘ (1945), which makes less sense inside the arena. But who cares! The interplay between the wolf, the bull and Droopy is delightful throughout, and even a minor character like the Mexican announcer is animated with gusto.

Watch ‘Señor Droopy’ yourself and tell me what you think:

http://www.veoh.com/watch/v202445Gjy2WGzy?h1=Senor+Droopy+-+Droopy

Director: Tex Avery
Release Date: December 26, 1953
Stars: Droopy, The Wolf
Rating: ★★★★★
Review:

Three Little Pups © MGM‘Three Little Pups’ starts as a pastiche of the Disney classic ‘Three Little Pigs‘ (1933) with dogs instead of pigs, and the wolf being a dogcatcher.

However it changes into a typical Avery-cartoon as soon as the wolf has failed to blow the smart little pup’s dog house down. He then goes completely berserk on trying to break the house down only to freeze and say into the camera in a remarkably laid-back Southern voice, provided by Daws Butler: “Well, that’s a well-built dog house, man”.

This is clearly a completely different wolf than we had seen before in Tex Avery’s cartoons. Instead of having wild takes, his reactions to his humiliations are absurdly stolid. All through the picture, he remains completely calm, and several times we can hear him whistling the civil war tune ‘Kingdom Coming’, accompanied by the barest minimum of percussion. This would become his signature song in his reappearances in the Tex Avery one-shot ‘Billy Boy’ (1954), and in two of Michael Lah’s Droopy cartoons: ‘Sheep Wrecked’ (1958) and ‘Blackboard Jumble’ (1957), which reuses some animation from ‘Three Little Pups’.

Incidentally, the wolf is not the first animated character to whistle this tune. Twenty years earlier, Pooch the Pup already whistled it in the Walter Lantz cartoon ‘King Klunk‘ (1933). Avery worked at Lantz at the time – is it possible he remembered the tune from this cartoon?

The phlegmatic Southern Wolf is by all means a hilarious character to watch, and he plays surprisingly well against the equally deadpan Droopy. Add lots of gags, Tex Avery’s superb timing and spot on music by Scott Bradley, and we have a fine cartoon of excellent comedy. ‘Meow, man!’

Note the anti-television gags in this short. Tex Avery would make more of those in ‘Drag-along Droopy’ (1954). During the 1950s television made things difficult indeed for theatrical cartoons. Less and less visits were paid to the cinemas, and so studios were forced to cut down their costs. This process ultimately led to the demise of the theatrical cartoon, and to the decline of American studio animation in general, which reached an all-time low in the 1970s, only to be revived again at the end of the 1980s.

Watch ‘Three Little Pups’ yourself and tell me what you think:

Directors: Tex Avery
Release Date: August 3, 1946
Stars: Droopy, The Wolf
Rating:  ★★★★★ ♕
Review:

Northwest Hounded Police © MGM

In ‘Northwest Hounded Police’ Avery revisited the material of ‘Dumb Hounded‘ (1943) to make a film that is faster, more concise, more extreme, more paranoid and funnier than the original.

The idea of Droopy being everywhere is quickly established, while the focus lies on the wolf’s double takes, which get more and more extreme during the film, including the famous jaw drop. The cool part is that Droopy (or ‘Sergeant McPoodle’ as he’s called here) only has to be there to scare the wits out of the wolf. He doesn’t do anything but being there.

In the wolf’s double takes Tex Avery explores the limits of cartoon exaggeration. These extreme takes make ‘Northwest Hounded Police the epitome of animated cartoon paranoia, displaying a world of fear that has not been seen on the animated screen since the Fleischer cartoon ‘Bimbo’s Initiation‘ (1931). If there should be only one classic Tex Avery cartoon, this must be it.

Watch ‘Northwest Hounded Police’ yourself and tell me what you think:

http://www.veoh.com/watch/v202943sX3q26aT?h1=Northwest+Hounded+Police+-+Droopy

Directors: Tex Avery
Release Date: November 3, 1945
Stars: Droopy, Red, The Wolf
Rating: ★★★★★
Review:

Wild and Woolfy © MGMAfter the successful ‘The Shooting of Dan McGoo‘ Droopy from earlier that year, Red and the Wolf join forces again in ‘Wild and Woolfy’, a hilarious spoof on the classic western.

The cartoon has the simple plot of Droopy following the wolf, who has kidnapped Red after her performance of a nice country & western yodeling song. But Tex Avery once again packs the film with gags, including a wonderful and now classic empty road gag.

Film composer Scott Bradley reuses his twelve tone row he had introduced in the Tom & Jerry cartoon ‘Puttin’ on the Dog’ (1944) to accompany Droopy riding his little blue horse, with equally funny results.

Watch ‘Wild and Woolfy’ yourself and tell me what you think:

Directors: Tex Avery
Release Date: April 14, 1945
Stars: Droopy, Red, The Wolf
Rating: ★★★★★
Review:

The Shooting of Dan McGoo © MGMIn his second film Droopy enters the wolf’s world of sex, joining forces with the ever sexy Red as his lover Lou, while the wolf’s the villain entering the Alaskan saloon and Droopy is ‘dangerous Dan McGoo’ himself.

The cartoon is a hilarious re-telling of the poem ‘The Shooting of Dan McGrew’ by Robert Service. It is simply packed with self-conscious gags and puns. Red is absolutely stunning, when she sings a great army song, displaying her popularity with the armed forces. Her performance remains a tour of the force of animation, courtesy of animator Preston Blair.

‘The Shooting of Dan McGoo’ was Tex Avery’s second take on Service’s poem, the first being the Warner Brothers cartoon ‘Dangerous Dan McFoo‘  from 1939, which phlegmatic dog star anticipates Droopy.

Watch ‘The Shooting of Dan McGoo’ yourself and tell me what you think:

http://www.ebaumsworld.com/video/watch/83894809/

Directors: Tex Avery
Release Date: March 20, 1943
Stars: Droopy, The Wolf
Rating: ★★★
Review:

Dumb Hounded © MGM‘Dumb Hounded’ marks the debut of Droopy, the first of all cartoon heroes to be deliberately deadpan.

He is introduced as a very slow bloodhound used to catch the escaped convict, the wolf. He manages to do so by being everywhere the wolf flees to.

Droopy’s übercalm contrasts nicely with the wolf’s extreme double-takes. The best gag is when Droopy asks the wolf not to move, whereupon the wolf uses a multitude of vehicles to flee to a very remote log cabin, only to find Droopy there, exclaiming: “you moved, didn’t you?”. This sequence has a lightning fast montage, something that is lacking from the rest of the film, which suffers a little from an inconsistent story line. The result is a film that is not quite satisfying in the end.

Tex Avery may have felt the same, for he would remake ‘Dumb Hounded’ only three years later with ‘Northwest Hounded Police‘, which uses the same or similar gags to a much greater comic effect.

After Bugs Bunny, Droopy would be Tex Avery’s best effort in creating a cartoon star. The phlegmatic dog would last until 1958, starring 24 cartoons in total. The wolf would be his adversary until 1949, after which he was exchanged for the bulldog Spike. Nevertheless, the wolf would return in 1954, in two Western cartoons, ‘Drag-along Droopy’ and ‘Homesteader Droopy’. Unfortunately, Droopy’s popularity would never come near MGM’s superstars Tom and Jerry, let alone win Academy Awards, like the cat and mouse duo did.

Watch ‘Dumb Hounded’ yourself and tell me what you think:

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