Director: Chuck Jones
Release Date: June 8, 1940
Rating: ★★½
Review:

Tom Thumb in Trouble © Warner Bros.Many of Chuck Jones’s early cartoons of 1938-1941 have a Disney-like character, but ‘Tom Thumb in Trouble’ arguably tops them all in Disney overtones.

The short stars a particularly small Tom Thumb, being indeed the size of his father’s thumb. When the father goes to work and leaves Tom alone to do the dishes, Tom Thumb almost drowns, but he is rescued by a little yellow bird. Unfortunately, his father blames the bird, and Tom Thumb walks away into the woods because of that. In the end all are reunited.

There’s absolutely nothing funny about this sentimental and cloying tale, and one wonders what Jones was thinking. This cartoon would have fit the years 1934-1936, not 1940. The animation, however, is stunning, with the very realistic father being an animation highlight within Warner Bros.’ 1940 output, topping even the realistic humans in ‘Old Glory‘, as he appears to have been animated with more confidence and ease. The staging, too, is nothing but impressive, with its strikingly original and dramatic angles, often turning the father into a towering figure.

But the short owes nothing to the output of Jones’s colleagues, and the only aspect that makes it typically Warner Bros. is Carl Stalling’s music, which makes clever use of classical music, with Richard Wagner’s Ride of the Valkyries during Tom Thumb’s flight into the winter woods as a particular highlight.

Watch ‘Tom Thumb in Trouble’ yourself and tell me what you think:

‘Tom Thumb in Trouble’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’

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Director: Tex Avery
Release Date: May 25, 1940
Rating: ★★½
Review:

A Gander at Mother Goose © Warner Bros.‘A Gander at Mother Goose’ is one of Tex Avery’s numerous spot gag cartoons. This time he sets his teeth in nursery rhymes, providing trite gags on e.g. Humpty Dumpty, Jack and Jill, and Little Miss Muffet.

Unfortunately, Avery’s spot gag cartoons rarely belong to his best work, and ‘A Gander at Mother Goose’ is no exception. Most surprising are his takes on two tales that have been made famous by Walt Disney: The Three Little Pigs (1933) and Little Hiawatha (1938). Not that his gags are funny, however. Best may be the first gag in which Miss Mary does a Katherine Hepburn imitation.

Friz Freleng directed an all too similar cartoon two years later called ‘Foney Fables‘ (1942), which is even less funny.

Watch ‘A Gander at Mother Goose’ yourself and tell me what you think:

‘A Gander at Mother Goose’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’

 

Director: Tex Avery
Release Date: April 13, 1940
Rating: ★★★★★
Review:

The Bear's Tale © Warner Bros.‘The Bear’s Tale’ opens in Snow White-like fashion, but already the title card gets us ready for some nonsense, as we read that Papa is played by Papa Bear, Mama by Mama Bear, Baby by Baby Bear, and Goldilocks by herself…

‘The Bear’s Tale’ nonetheless seems to retell the tale of Goldilocks and the three bears, alright, until suddenly Goldilocks enters grandma’s house from ‘Red Riding Hood’…

‘The Bear’s Tale’ is Tex Avery’s third fairy tale cartoon, after ‘Little Red Walking Hood’ (1937) and ‘Cinderella Meets Fella’ (1938). It’s arguably the best of the three, elaborating on the fairy tale mix up of Walt Disney’s ‘The Big Bad Wolf‘ (1934), which also starred Little Red Riding Hood.

Particularly funny is the silly combination of narration, images and Carl Stalling’s music. Stalling responds to every part of the narration with a specific leitmotiv. This is most clear when the narrator talks about the ‘beautiful forest’, which is invariably accompanied by a forest scene with birds flying through it, and Stalling’s leitmotiv of Felix Mendelssohn’s Spring Song in the background. But all characters have their own leitmotiv, with Little Red Riding Hood’s one being a particularly saucy one, as if she were a woman of the world.

Both Red and Goldilocks are pictured as child characters, yet behave in a surprisingly adult way. For example, when the wolf rejects Goldilocks, because he had been waiting for Red Riding Hood, Goldilocks exclaims “what’s Red Riding Hood got what I haven’t got?”. There’s also a great split screen gag, which is an elaboration on the one in ‘Cross Country Detours’ of only one month earlier.

The fairy tale setting is greatly helped by great production values: the backgrounds are very evocative, and Avery’s characters now have a solidity that they never had before. Papa Bear especially is a round character of a caliber rarely seen outside Disney. It’s clear that by 1940 the Warner Bros. had fully mastered character animation. This combination of great character animation and deliberate nonsense would make their cartoons of the 1940s and 1950s so irresistible.

In ‘The Bear’s Tale’ Avery’s timing is still rather slow, and not all the gags are winners (the gag in which Papa Bear’s imitating a siren is completely superfluous, for example), but this is a very funny cartoon, nonetheless, and an early Warner Bros. classic.

Watch ‘The Bear’s Tale’ yourself and tell me what you think:

‘The Bear’s Tale’ is available on the DVD set ‘Looney Tunes Golden Collection Volume 5’

Director: Tex Avery
Release Date: December 7, 1940
Stars: Willoughby
Rating: ★★★★
Review:

Of Fox and Hounds © Warner Bros.‘Of Fox and Hounds’ introduces Willoughby, that dumb dog that was the first of many cartoon parodies on Lon Chaney jr.’s portrayal of Lennie Small in the movie ‘Of Mice and Men’ (1939).

In this cartoon he’s a rather fat hunting dog too dumb to recognize a fox when he sees one. Worse, the fox makes him fall for the same gag twice, in an extraordinarily long gag, which Avery plays out full. The fox is a clear variation on the wise guy type Avery introduced with Bugs Bunny in ‘A Wild Hare‘ four months earlier, without adding anything new, and he was never seen again. Willoughby, on the other hand, would encounter the hare himself in his next cartoon, ‘The Heckling Hare’, and another variation on this character type in ‘The Crackpot Quail’ (both 1941). In all, he would star in seven cartoons, the last one being Friz Freleng’s ‘Hare Force’ (1944).

In his next cartoon Willoughby would become less fat, but not smarter. Luckily not, for his all too late insights, which he shares with the audience, absolutely form the character’s main attraction. At MGM Avery would more or less return to the character in ‘Lonesome Lenny’ (1946). Willoughby’s “Which way did he go, George? Which way did he go?” would become a catch phrase, and was also used by Lenny in that latter cartoon.

‘Of Fox and Hounds’ features high production values. It opens with a very realistic image of a hunter, followed by a beautiful shot of horses and hounds silhouetted against the morning sun. The cartoon also features remarkable oil paintings that provide great realistic backgrounds in the best academic tradition, which make all the nonsense staged in front of it more believable.

Unfortunately, the cartoon is a little too slow to be an all time winner. Avery clearly was still experimenting with timing, and in this cartoon in particular he juxtaposes slow scenes to lightning fast action, especially in the parts featuring the bear. ‘Of Fox and Hounds’ may be no classic, it’s an important entry in the evolution of Tex Avery’s films, the Warner Bros. style, and the chase cartoon in general.

Watch ‘Of Fox and Hounds’ yourself and tell me what you think:

‘Of Fox and Hounds’ is available on the French DVD set ‘Tex Avery’

Director: Wilfred Jackson
Release Date: March 7, 1941
Stars: Donald Duck
Rating: ★★★½
Review:

Golden Eggs © Walt Disney‘Golden Eggs’ opens with Donald Duck reading in the newspapers that prices of eggs are skyrocketing.

He immediately turns to his own chicken farm to collect eggs. Strangely enough, however, he’s hindered by a rooster who’s taller than himself. Thus Donald tries deceit, and dresses as a particularly feminine chicken, seducing the rooster.

However, things go hardly as planned, and instead of collecting eggs, Donald finds himself dancing with the amorous rooster. The music is particularly inspired in these scenes, mounting to an intoxicating Cuban rhythm. In the end Donald manages to collect the eggs, but destroys them immediately…

‘Golden Eggs’ knows its moments, but is essentially a one-joke cartoon. Nevertheless, Donald’s cross-dressing method of deceit would be followed by Tom in a similar ‘Flirty Birdy’ (1945), and Bugs Bunny in many cartoons to come, starting with ‘Bugs Bunny Nips the Nips’ (1944).

Watch ‘Golden Eggs’ yourself and tell me what you think:

This is Donald Duck cartoon No. 23
To the previous Donald Duck cartoon: Timber
To the next Donald Duck cartoon: A Good Time for a Dime

‘Golden Eggs’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: January 10, 1941
Stars: Donald Duck, Pete
Rating:  ★★★
Review:

Timber © Walt DisneyAlmost a year after ‘The Riveter’ Pete returns as Donald Duck’s adversary. This time he’s called Pierre and speaks with a pseudo-french accent.

When hobo Donald steals his food, Pete forces the feeble duck to work at his logging site. Donald easily is the worst lumberjack ever, and what follows are several antics with axes and saws, to the expense of Pete himself.

However, the film only gains momentum when Pete follows a fleeing Donald on a reckless lorry race. This is a stunning finale, with the gags coming in fast and plenty. In the end Donald disposes of Pete/Pierre with help of a railroad switch, and the end we watch him walking the rails again into the sunset.

This cartoon doubtless inspired Floyd Gottfredson’s Mickey Mouse comic ‘Mystery at Hidden River’, which run from October 6, 1941 to January 17, 1942. In this story Pete is also a lumberjack called Pierre, but Mickey surely knows better. Incidentally, this is the first time Mickey is confronted with Pete sans peg leg in the comic strip, even though on the animated screen Pete had lost his peg leg already in ‘Moving Day‘ from 1936.

Watch ‘Timber’ yourself and tell me what you think:

This is Donald Duck cartoon No. 22
To the previous Donald Duck cartoon: Fire Chief
To the next Donald Duck cartoon: Golden Eggs

‘Fire Chief’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Riley Thomson
Release Date: 1940
Stars: Donald Duck
Rating:  ★★★½
Review:

The Volunteer Worker © Walt Disney‘The Volunteer Worker’ is a short commercial in which Donald tries to collect for charity, to no avail.

Every citizen shows him the door. When he sits down at the dumps, a construction worker helps him out, giving him a first donation and delivering the film’s message that charity helps.

This construction worker is an elaborate human character, and very well animated. The complete film excels in high production values, possessing a great montage, showing Donald’s though time, and beautiful lighting.

Watch ‘The Volunteer Worker’ yourself and tell me what you think:

‘The Volunteer Worker’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: December 13, 1940
Stars: Donald Duck, Huey, Dewey & Louie
Rating:  ★★★★★
Review:

Fire Chief © Walt DisneyAfter co-starring in ‘Mickey’s Fire Brigade’ (1935), Donald now is a fire chief himself, helped by his nephews Huey, Dewey and Louie.

There’s no heroism involved in this cartoon, however, as the four ducks only try to extinguish a fire that Donald accidentally has put to his very own fire station.

Penned by e.g. Carl Barks, this is a genuine gag cartoon, with the gags coming in fast and plenty, and building to a ridiculous finale, in which Donald destroys the fire station, his car and his hat within seconds. The animation, too, is extraordinarily flexible, especially when Donald blows his horn. The cartoon is a delight from start to end, and must be counted among Donald’s all time best.

Barks would later return to the theme in the equally classic comic ‘Fireman Donald’ (1947), in which Donald is as inadequate as a fireman as he is in this cartoon.

Watch ‘Fire Chief’ yourself and tell me what you think:

This is Donald Duck cartoon No. 21
To the previous Donald Duck cartoon: Window Cleaners
To the next Donald Duck cartoon: Timber

‘Fire Chief’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: September 20, 1940
Stars: Donald Duck, Pluto
Rating:  ★★½
Review:

Window Cleaners © Walt DisneyWindow Cleaners is the fifth of six cartoons co-starring Donald Duck and Pluto. Unlike the other films starring the duo, this is pretty much Donald’s film, with Pluto sleeping most of the time.

Donald has a job cleaning windows on a ridiculously high building and using the lazy mutt as his helper. This accounts for some spectacular background art emphasizing the dizzying heights Donald is working on.

The film is less gag rich than its contemporaries, however, being split into two long and distinct routines: in the first Donald tries to wake Pluto, to no avail. Highlight of this part is his attempt to yell into the drainpipe. This scene accounts for some spectacular body deformations on our beloved duck.

In the second routine Donald bullies a bee, which takes revenge immediately. This bee is the direct ancestor of the bee Jack Hannah introduced in ‘Inferior Decorator’ (1948) and one can say that all Hannah’s bee films follow the routine from this particular cartoon.

Watch ‘Window Cleaners’ yourself and tell me what you think:

This is Donald Duck cartoon No. 20
To the previous Donald Duck cartoon: Donald’s Vacation
To the next Donald Duck cartoon: Fire Chief

‘Window Cleaners’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Jack King
Release Date: August 9, 1940
Stars: Donald Duck
Rating:  ★★★★
Review:

Donald's Vacation © Walt Disney‘Donald’s Vacation’ is a delightful entry in the Donald Duck series. The cartoon opens idyllically enough, with Donald humming and strumming his ukelele, while canoeing through a beautiful landscape – the bacground artwork in this scene is absolutely stunning.

When a waterfall accidentally lands him on the perfect spot, his canoe turns out to be an inventive marvel, outdoing Mickey’s trailer in the cartoon of the same name (1938): not only can the canoe change into a tent instantly, it’s also capable of storing endless supplies.

But before Donald can relax, he first has to battle a collapsible vacation chair. Like the outboard motor in the previous cartoon ‘Put-put Troubles‘, the chair provides excellent comedy, showing that Donald was at his best when struggling with everyday objects.

When he finally comes to rest, a multitude of chipmunks, antecedents of Chip ‘n Dale, steal all his food. This leads to an encounter with a bear, which elaborates on the comedy of the Mickey Mouse cartoon ‘The Pointer’ (1939), adding countless new and original gags, like the bear stripping a tree from its bark, and Donald cutting holes into some waterfalls.

‘Donald’s Vacation’ is a gag cartoon throughout, but in this finale the gags come fast and plenty, and lead to an excellent closing, in which Donald flees into the distance, only a couple of minutes after his unfortunate camping adventure had started.

Watch ‘Donald’s Vacation’ yourself and tell me what you think:

This is Donald Duck cartoon No. 19
To the previous Donald Duck cartoon: Put-Put Troubles
To the next Donald Duck cartoon: Window Cleaners

‘Donald’s Vacation’ is available on the DVD set ‘The Chronological Donald Volume 1’

Director: Dave Fleischer
Release Date: December 13, 1940
Stars: Popeye, Eugene the Jeep
Rating:  ★★★½
Review:

Popeye Presents Eugene, the JeepAfter reviving Poopdeck Popeye in ‘My Pop, My Pop‘ and ‘With Poopdeck Pappy‘, the Fleischers reintroduced the Jeep in ‘Popeye Presents Eugene, the Jeep’, despite the creature having appeared already in ‘The Jeep’ (1938).

‘Popeye Presents Eugene, the Jeep’ opens with a package deliverer delivering a package to Popeye. This package deliverer is clearly voiced by Pinto Colvig, and sounds exactly like Goofy.

The package contains the Jeep, which Olive has sent to Popeye, with a strange instruction to keep it outdoors to sleep. This premise leads to a great chase cartoon: for despite all Popeye’s efforts, the Jeep refuses to remain outside, and time and time again ends up in Popeye’s bed.

Now in E.C. Segar’s comic strip the Jeep had magical powers, being able to cross the 4th dimension, but the Fleischers don’t use this premise in this film. In some scenes it’s clear how the Jeep enters the house, in others they keep it wisely unknown.

With this mysterious ability to be at any given place at will the Jeep anticipates Tex Avery’s characters Cecil Turtle in …. and Droopy in …. The comedy of this cartoon certainly is of a new era, and the fun is greatly helped by the inspired score, which, like the one in ‘With Poopdeck Pappy’ makes great use of the lullaby ‘Go to Sleep, My Baby’.

Watch ‘Popeye Presents Eugene, the Jeep’ yourself and tell me what you think:

‘Popeye Presents Eugene, the Jeep’ is available on the DVD set ‘Popeye the Sailor Volume Two’

Director: Dave Fleischer
Release Date: November 15, 1940
Stars: Popeye, Poopdeck Pappy
Rating:  ★★★★
Review:

With Poopdeck Pappy © Max FleischerAfter his reintroduction in ‘My Pop, My Pop‘ Poopdeck Pappy immediately returns in ‘With Poopdeck Pappy’.

In this cartoon Poopdeck Pappy behaves as Popeye’s disobedient child: Popeye repeatedly tries to put him to sleep, but he sneaks out time and time again to have some fun in a nightclub downtown.

The antagonism between father and son is wonderful, and leads to lots of silly gags. With this cartoon Popeye certainly entered the chase cartoon era, as also exemplified with his next cartoon, ‘Popeye Presents Eugene, the Jeep‘. Like the Jeep, Poopdeck Pappy has almost magical powers to escape Popeye’s bedroom. More importantly, Poopdeck Pappy defies Popeye’s 1930s morality: in the end, it’s he who wins, leaving Popeye roped in his very own bed.

Throughout the picture, the comedy is well-timed and greatly enhanced by the inspired score, which makes excellent use of ‘Go To Sleep, My Baby’ during the bed scenes – apparently a new favorite song of composer Sammy Timberg, as it also appears in the Hunky & Spunky cartoon ‘Vitamin Hay‘ from three months earlier, and in the next Popeye cartoon, ‘Popeye presents Eugene, the Jeep’.

With this cartoon Poopdeck Pappy proved to be a worthy addition to the Popeye cartoon cast. So he would be full of mischief again in his next cartoons ‘Problem Pappy‘, ‘Quiet! Pleeze‘, ‘Child Psykolojiky’ and ‘Pest Pilot’ (all from 1941).

Watch ‘With Poopdeck Pappy’ yourself and tell me what you think:

‘With Poopdeck Pappy’ is available on the DVD set ‘Popeye the Sailor Volume Two’

Director: Dave Fleischer
Release Date: October 18, 1940
Stars: Popeye, Poopdeck Pappy
Rating:  ★★½
Review:

My Pop, My Pop © Max FleischerIn ‘My Pop, My Pop’ Popeye builds a boat. Poopdeck Pappy comes along and insists on helping him, but in the end, it’s Popeye who does all the work.

Although Poopdeck Pappy had already been introduced in the Fleischer Popeye series in 1938, in ‘Goonland‘, he was shelved for two years. With ‘My Pop, My Pop’ he reentered the Popeye universe: having his own theme song, a Scottish voice, and being remarkably weak and lazy. These character traits don’t match the character in E.C. Segar’s comic strip or in ‘Goonland’, and were not repeated in his next cartoon, ‘With Poopdeck Pappy‘.

Indeed, they’re not even very funny in this cartoon, with Poopdeck Pappy remaining a rather bland character. Moreover, the whole short is rather slow moving and too rich in unfunny dialogue. The best gags are Popeye’s original ways of boat building.

Luckily, Poopdeck Pappy’s most of next cartoons would be much better.

Watch ‘My Pop, My Pop’ yourself and tell me what you think:

‘My Pop, My Pop’ is available on the DVD set ‘Popeye the Sailor Volume Two’

 

Director: Dave Fleischer
Release Date: September 20, 1940
Stars: Popeye
Rating:  ★★★★
Review:

Popeye Meets William Tell © Max FleischerWithout any explanation Popeye walks through a medieval setting, where he meets William Tell.

When William Tell refuses to bow for the governor, Popeye volunteers to act as his son, so he can shoot an apple from his head. But Tell misses, and Popeye collapses. But when Tell is about to be beheaded, Popeye comes to the rescue, with help of spinach.

The story of ‘Popeye Meets William Tell’ is not really remarkable, but the cartoon is full of silly gags and anachronisms. None of it makes sense, and there’s a sense of anarchy present reminiscent of the Marx Brothers films.

The cartoon is a rather oddball entry within the Popeye series, with the designs of the other characters being more reminiscent of the inhabitants of Lilliput of ‘Gulliver’s Travels‘ (1939) than of the other characters in the Popeye universe. The short is definitely worth a watch, as it displays the large amount of creativity the Fleischer studio put into this series.

Watch ‘Popeye Meets William Tell’ yourself and tell me what you think:

‘Popeye Meets William Tell’ is available on the DVD set ‘Popeye the Sailor Volume Two’

Director: Chuck Jones
Release Date: April 12, 1941
Stars: Sniffles
Rating: ★★
Review:

Toy Trouble © Warner Bros.‘Toy Trouble’ marks the return of Sniffles’s friend the bookworm, from ‘Sniffles and the Bookworm’ (1939) and ‘The Egg Collector’ (1940).

This time the two friends snoop around in the toy collection of a department store. All goes well until the duo encounters a cat.

Like Sniffles himself, the bookworm is more cute than funny, and like most Sniffles cartoons this short suffers from a terrible slowness. The result is a rather tiresome watch. Nevertheless, it contains a nice scene in which Sniffles hides in a row of Porky Pig dolls, predating a similar scene in the Tom & Jerry cartoon ‘The Night Before Christmas’ by eight months. There’s also a mechanical duck, which accounts for some gags that look all the way forward to the elaborate gags of Chuck Jones’s Roadrunner and Tom & Jerry cartoons.

Watch ‘Toy Trouble’ yourself and tell me what you think:

‘Toy Trouble’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Chuck Jones
Release Date: February 1, 1941
Stars: Sniffles
Rating: ★★★½
Review:

Sniffles Bells the Cat © Warner Bros.In the seventh of twelve Sniffles cartoons Sniffles suddenly has a number of lookalikes, who are as annoying as the title character himself.

In the opening scene we watch them all fleeing from a cat. When Sniffles wishes out loud that the cat should have a bell, the others immediately put him on the job.

Like other Sniffles cartoons, ‘Sniffles Bells the Cat’ is slow and pretty unfunny. Yet the chase scenes show some beautiful background art, emphasizing the vastness of the house for a little mouse like Sniffles. Moreover, Carl Stalling’s music is extraordinarily beautiful in this cartoon.

However, the cartoon is most important in the development of Jones’s mature style. Like in ‘Bedtime for Sniffles’ Jones excels in giving the cute little character a surprisingly broad range of emotions, especially when Sniffles realizes he has to tie the bell to the cat himself. This scene is the undisputed highlight of the cartoon and shows that even at this early stage Jones knew hardly an equal in handling facial expressions. The cat, too, is animated delightfully when he performs the old shell game with considerable deftness. These two scenes contain the seeds of more to come, and make the cartoon one of Sniffles’s best, despite its slugged pace.

Watch ‘Sniffles Bells the Cat’ yourself and tell me what you think:

‘Sniffles Bells the Cat’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Chuck Jones
Release Date: November 23, 1940
Stars: Sniffles
Rating: ★★★½
Review:

Bedtime for Sniffles © Warner Bros.This Christmas cartoon opens with a stunning scene in which the camera zooms over a winter village scene. ‘Bedtime for Sniffles’ may not be a ‘Pinocchio’, this is still a very atmospheric opening intro to the Christmas spirited cartoon.

Cut to Sniffles, who wants to stay awake until Santa comes. Unfortunately the radio plays a lullaby, drowsing our cute little hero.

Because this is a cartoon about the familiar problem of trying to stay awake despite a desire to sleep, this is a more entertaining short than most other Sniffles cartoons, and a great antecedent to the classic Tom & Jerry cartoon ‘Sleepy Time Tom’ (1951), which covers similar grounds. The animation of Sniffles’s eyes when he tries to stay awake, is priceless, and is an early showcase of Jones’s upcoming mastery of facial expressions. Sniffles’s reluctant walk into bed, too, points forward to Jones’s mature style.

Apart from this, ‘Bedtime for Sniffles’ excels in great background art, and lovely lay-outs, with delightful details, like a walnut functioning as a waste basket, and cigarette paper substituting for a towel.

Watch ‘Bedtime for Sniffles’ yourself and tell me what you think:

‘Bedtime for Sniffles’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Chuck Jones
Release Date: July 20, 1940
Stars: Sniffles
Rating:
Review:

The Egg Collector © Warner Bros.In the 1930s Frank Tashlin had made the most beautiful cartoons at Warner Bros. When Chuck Jones inherited his unit at the end of 1938, he too made the most beautiful shorts of all.

‘The Egg Collector’ is a prime example, with stunning background art, original camera angles (a clear Tashlin influence), great shading and excellent animation. However, unlike Tashlin’s cartoons, Jones’s were extremely slow. ‘The Egg Collector’, for example , moves at such a sluggish speed, one almost falls asleep while watching it.

The short stars the little mouse Sniffles, Jones’s very first returning character, and his friend, the bookworm from ‘Sniffles and the Bookworm’ (1939). They read in a book about egg collecting, and wish to collect an owl’s egg, not realizing that the fact that eats small rodents means it can possibly eat them. Thus they are on their way to a church nearby, where they soon discover the real nature of the barn owl. There’s little humor in this cute and boring cartoon, although the little owl’s hoots are very charming. The design of the little owl is exactly the same as the one in ‘Little Brother Rat‘.

Carl Stalling accompanies the church scenes with particularly solemn music, based on Felix Mendelssohn’s stage music for A Midsummernight’s Dream. His score rarely sounded so German as it does in this particular short.

Watch ‘The Egg Collector’ yourself and tell me what you think:

‘The Egg Collector’ is available on the Blu-Ray set ‘Looney Tunes Mouse Chronicles: The Chuck Jones Collection’

Director: Dave Fleischer
Release Date: August 22, 1941
Stars: Hunky & Spunky
Rating:  ★
Review:

Vitamin Hay © Max Fleischer‘Vitamin Hay’ was the very last of the Color Classics, a series that arguably already had run out of steam by 1938.

‘Vitamin Hay’ seems to have appeared almost as an afterthought, being released almost a year after the second to last Color Classic, ‘You Can’t Shoe a Horsefly‘. Like the previous three Color Classic cartoons it starred the boring burro duo of Hunky and Spunky.

This time Spunky refuses to eat his ‘vitamin hay’, and joins a goat in eating car parts. When he swallows a car horn he gets into trouble with some angry geese, and Hunky, once again, has to come to the rescue.

Hunky and Spunky never were remotely interesting to watch, and certainly not fit for the more adult war era, so I doubt whether anyone missed them when they were shelved. ‘Vitamin Hay’, is a fitting farewell to the donkeys, being as tiresome and as devoid of humor as the worst of their previous cartoons. Luckily, the Fleischer had a new, more daring star with ‘Superman‘. Yet he, like Popeye, had not been conceived by themselves, leaving Koko the Clown and Betty Boop the Fleischer’s only two successful creations during the long existence of their studio.

In hindsight the Fleischers’ Color Classics were a disappointing series that never fulfilled their promise. They never approached the quality of their original, Disney’s Silly Symphonies’, and most entries were ill-fated attempts at emulating the Disney style, resulting in sugary, childish and terribly unfunny cartoons. It was clear that in this series the Fleischers tried to be something they were not. This was a pity, for the contemporary Popeye series proved that they needn’t to. In the Popeye cartoons the Fleischers could stay true to themselves, producing some of the best shorts of the 1930s, including several classics, where in my opinion the Color Classics produced none, bar the very first one, the Betty Boop vehicle ‘Poor Cinderella‘ (1934).

Watch ‘Vitamin Hay’ yourself and tell me what you think:

‘Vitamin Hay’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

Director: Dave Fleischer
Release Date: August 23, 1940
Stars: Hunky & Spunky
Rating:  ★★½
Review:

You Can't Shoe a Horsefly © Max Fleischer‘You Can’t Shoe a Horsefly’ opens with a tired Hunky & Spunky laying themselves down to sleep.

Unfortunately, Spunky is soon troubled by a horsefly, who looks like a miniature winged horse and who sings the title song. The antagonism between Spunky and the horsefly, which even lead to a chase scene makes ‘You Can’t Shoe a Horsefly’ the most modern of the Hunky & Spunky cartoons, and the only one fitting the then emerging chase cartoon era. However, it’s still Hunky who has to come to the rescue, killing the horsefly and all his friends in one stroke.

Composer Sammy Timberg nicely intertwines the lullaby ‘Go to Sleep My Baby’ (which I know best as sung by Oliver Hardy in ‘Brats’ from 1930), into the soundtrack when the two donkeys are trying to sleep.

Watch ‘You Can’t Shoe a Horsefly’ yourself and tell me what you think:

‘You Can’t Shoe a Horsefly’ is available on the DVD set ‘Somewhere in Dreamland – Max Fleischer’s Color Classics: The Definitive Collection’

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