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Director: Andreas Hykade
Release Date: February 24, 2010
Rating: ★★★★★
Review:

After a sublime narrative trilogy on the loss of innocence (consisting of ‘Wir lebten im Gras‘ from 1995, ‘Ring of Fire’ from 2002, and ‘The Runt‘ from 2006), Andreas Hykade made a surprising move to a non-narrative film with ‘Love & Theft’.

In this film Hykade uses many animation cycles and continuous metamorphosis, not to tell a story, but to bring a homage to the great characters of animation and comics in mesmerizing and hallucinating images that never fail to entertain.

Greatly helped by Heiko Maile’s score, ‘Love and Theft’ knows an almost perfect build-up, starting very modestly in black and white, and with the simplest drawings. The first recognizable characters morphing into each other are Charlie Brown and Hello Kitty, soon followed by Mickey Mouse, Goofy and Spiderman, and later e.g. Spongebob Squarepants, Bert from Sesame Street, Tweety, Blossom from the Powerpuff Girls, Betty Boop, Ryan Larkin (as depicted in Chris Landreth’s animated short ‘Ryan’ from 2004), Gromit, Droopy, Koko, Donald Duck, the penguin from ‘The Wrong Trousers‘, Barbapapa, and countless others, including even Karl Marx, Che Guevara and Adolf Hitler.

Once changed into color, the animation goes completely berzerk, as one long psychedelic kaleidoscope. This particular sequence seems to owe something to Jim Woodring’s Frank, and somehow Andreas Hykade manages to capture the comic’s surreal atmosphere very well in this otherwise semi-abstract film.

Rarely were animation cycles and metamorphosis employed so creatively and entertainingly. ‘Love & Theft’ is a film that can be watched over and over again, without losing its gripping power.

Watch ‘Love & Theft’ yourself and tell met what you think:

‘Love & Theft’ is available on The Animation Show of Shows Box Set 9

Director: Andreas Hykade
Release Date: 1995
Rating: ★★★½

‘Wir lebten im Gras’ is the first of three films in which German animator Andreas Hykade explores the loss of innocence, the other two being ‘Ring of Fire’ (2000) and ‘Der Kloane’ (The Runt, 2006).

The film is also the most cryptic of the three, full of images that are very difficult to decipher. The film is set in a rather mythical place, ‘two streets away from the end of the world’ and has a timeless and universal feel.

The story is told by a boy voice over, who reminisces about his father, who told him that “All women is whore and all men is soldier”. Outside the voice over there is no dialogue. The little boy tries to see the world through his father’s eyes, but this conflicts with his softer side, and he’d rather fall in love with the enigmatic ‘dandelion girl’.

The film is less straightforward than this synopsis suggests, however, and the film is more surreal and suggestive than narrative. For example, the boy’s adventures are interjected by nightmarish dream sequences, the meaning of which is never really explained. These dream sequences are rendered in an expressionistic pastel style, reminiscent of Lorenzo Mattotti’s art work. This style contrasts highly with the simple cel animation.

Hykade’s drawing style is highly original. His human designs are simple, almost stickman-like, but genitals are very prominent, and the father is drawn as a more robust, earthly character.

The animation is very virtuoso, with a great feel for timing. Moreover, Hykade uses a lot of changing perspective, and has an admirable command of movement.

‘Wir lebten im Gras’ was Hykade’s last student film, but it certainly is his first major work. With this film Hykade proved to be a strong new voice in the animation world, a fact he consoled with his masterpiece ‘Ring of Fire’ from 2000.

Watch ‘Wir lebten im Gras’ yourself and tell me what you think:

‘Wir lebten im Gras’ is available on the DVD ‘Desire & Sexuality – Animating the Unconscious Vol. 2’

Director: Andreas Hykade
Release Date: September 2006
Rating: ★★★★
Review:

The Runt © Andreas Hykade‘The Runt’ is Hykade’s fourth independent film. It’s a disturbing short about a little boy who is allowed to keep a pet rabbit, if he’s going to kill it himself the next year.

Hykade’s simple and cute designs, and use of bright colors contrast with the film’s grim story, but they also make it watchable for everybody. There’s practically no reference to any time or place, and its story about death and coming of age has a universal appeal. Its timelessness makes the film an instant classic.

‘The Runt’ may not be as bold as his previous film, ‘Ring of Fire’ (2000), it is a great example of Andreas Hykade’s talent. He has succeeded in creating one of those rare shorts that make you think.

Watch ‘The Runt’ yourself and tell me what you think:

‘The Runt’ is available on the DVD ‘International Animation: Modern Classics’

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