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Director: unknown
Release Date:
 July 16, 1932
Stars: Flip the Frog
Rating: ★★★★★
Review:

The Office Boy © Ub IwerksIn ‘The Office Boy’ Flips applies to be an office boy, and he’s hired on the post, after he has washed away all his competitors with a fire hose.

Once at work he accidentally starts a record player, and he and the sexy secretary start to dance to some rumba music. Later, a cat and a mouse cause havoc, leading to the secretary losing her dress, and Flip being fired.

‘The Office Boy’ is a gag-packed cartoon, the best of which is the one with a face Flip paints on a dirty window. Flip’s voice is remarkably Mickey Mouse-like in this cartoon, but most of the humor would not fit Mickey, at all, as many gags involve the sexy secretary, repeatedly revealing her underwear.

The secretary would be used again in Flip’s next cartoon, ‘Room Runners‘, which is even more erotic. The secretary is also shown chewing bubble gum, in one of the first animated depictions of this 1928 invention (another contender is the Mickey Mouse film ‘Barnyard Olympics‘ from April).

The erotic secretary seems proof that Iwerks wanted to compete with Fleischer’s sensual Betty Boop cartoons. However, it may also be an example of an increased amount of sex references employed by Hollywood in 1932 in general, for a stronger sexual content can also be noted in live action movies from the era.

This higher level of eroticism in Hollywood cinema remained extant until 1934, when the Hays code kicked in with a vengeance, and the tables were turned exactly the other way: for most of the 1930s cartoons often became ridiculously goody-goody and childish, reaching a low point around 1935/1936.

Watch ‘The Office Boy’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 23
To the previous Flip the Frog cartoon: The Bully
To the next Flip the Frog cartoon: Room Runners

‘The Office Boy’ is available on the DVD Cartoons that Time Forgot – The Ub Iwerks Collection Vol. 2

Director: Dave Fleischer
Release Date: August 31, 1930
Stars: Betty Boop
Rating: ★★★★★
Review:

Still from 'Barnacle Bill' featuring Barnacle Bill and Betty Boop on a singing couch

‘Barnacle Bill’ is a literal visual illustration of the folk song of the same name, made famous by Hoagy Carmichael’s 1930 recording.

Barnacle Bill (another version of early Bimbo) is visiting Betty Boop, who’s called Nancy Lee in this cartoon and who apparently is the Captain’s love. All neighbors gossip about it, and when the captain arrives, he chases Barnacle Bill into the sea, where the latter dances with some remarkably humanized mermaids.

‘Barnacle Bill’ is the second cartoon featuring Betty Boop, and it introduces the strong sexual overtones, associated with the character in her early years. One example is Betty’s dress that rolls itself up, exposing her legs. There’s also a couch that itself replaces several chairs when Betty invites Barnacle Bill inside.

‘Barnacle Bill’ uses musical dialogue almost exclusively. It contains some odd perspectives and flexible animation, but most important of all, it is wildly surrealistic, creating a completely original world of utter weirdness. For example, when Barnacle Bill threatens to bust in the door, the door shrinks and hides under the welcome mat. Later, we watch Barnacle Bill swim through the air, and dive into the couch. And when he leaves Nancy Lee’s apartment block, he sails one of the stairs. Touches like these make watching the cartoon a mind-blowing experience. I don’t think it’s considered a classic, but to me it should be.

Watch ‘Barnacle Bill’ yourself and tell me what you think:

This is Talkartoon No. 9
To the previous Talkartoon: Dizzy Dishes
To the next Talkartoon: Swing, You Sinners!

‘Barnacle Bill’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: May 18, 1934
Stars: Betty Boop, Max Fleischer
Rating: ★★★★½
Review:

Betty Boop's Rise to Fame © Paramount‘Betty Boop’s Rise to Fame” is a compilation cartoon, but it’s easily one of the best in its kind.

It features Betty Boop and her creator, Max Fleischer in a nice mix of animation and live action. Fleischer asks Betty, who is depicted as a tiny cartoon character, to perform for a reporter. She does three of her finest moments, using footage from ‘Stopping the Show‘ (1932), ‘Betty Boop’s Bamboo Isle‘ (1932) and ‘The Old Man from the Mountain’ (1933).

In between, there’s some lovely interplay between Betty and “uncle Max”. Even these new scenes are sexy, when Betty changes clothes behind an ink pot and some books. This delightful cartoon can be regarded as an ode to Betty’s glorious past. From now on sex and eroticism would be banished from her cartoons due to the censorship of the Hays code.

Watch ‘Betty Boop’s Rise to Fame’ yourself and tell me what you think:

This is Betty Boop cartoon No. 28
To the previous Betty Boop cartoon: Betty in Blunderland
To the next Betty Boop cartoon: Betty Boop’s Trial

‘Betty Boop’s Rise to Fame’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

Director: Dave Fleischer
Release Date: September 1, 1933
Stars: Betty Boop, Bimbo, Koko The Clown
Rating: ★★★★
Review:

Still from 'I Heard' featuring Betty in underwear and Bimbo © ParamountBetty Boop works in a tavern near a coal mine, where Koko The Clown and Bimbo are working. The latter discovers some ghosts in the mine.

This short contains an excellent swinging jazz score by Don Redman and his orchestra, who are introduced in the beginning of the picture, playing in a zany cartoon decor. The music includes adapted versions of Don Redman’s hit songs ‘How am I doing?’ (1932) and ‘I Heard’ (1931).

‘I Heard’ was the last Fleischer cartoon to feature a great jazz score. Don Redman, and his predecessors Cab Calloway and Louis Armstrong, where soon replaced by Rubinoff and his orchestra playing sweet semi-classical music in ‘Morning Noon and Night‘  and ‘Parade of the Wooden Soldiers‘ (both late 1933). Even worse, the cartoon marked Bimbo’s last screen appearance. Being an animal he was no longer accepted as being Betty’s suitor in a Hays Code dominated Hollywood which shunned all eroticism and ‘unnatural sexual behavior’, including human-animal relationships.

After Bimbo, Betty would shortly date a human character named Fearless Freddie, but from 1935 on she remained a bachelor apparently with no interest in men whatsoever. In this cartoon, though, she’s still sexy, and she can briefly be seen in her underwear, after the elevator she and Bimbo had taken has crashed.

Thus, in many ways, one can regard ‘I Heard’ as the last of the classic Betty Boop cartoons. After this cartoon, the intoxicating mix of sex and surrealism was only seen once, in the compilation cartoon ‘Betty Boop’s Rise to Fame‘ (1934), a last tribute to Betty’s glory days.

Watch ‘I Heard’ yourself and tell me what you think:

This is Betty Boop cartoon No. 20
To the previous Betty Boop cartoon: The Old Man of the Mountain
To the next Betty Boop cartoon: Morning Noon and Night

‘I Heard’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’

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