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March 22, 2017 in ★★★★★ ♕, Betty Boop, Black and White Films, Max Fleischer films | Tags: 1933, Betty Boop, Bimbo, Cab Calloway, Dave Fleischer, Doc Crandall, Koko The Clown, metamorphosis, Snow White, surrealism | Leave a comment
Director: Dave Fleischer
Release Date: March 31, 1933
Stars: Betty Boop, Bimbo, Koko the Clown
Of all Fleischer cartoons ‘Snow-White’ is probably the most famous. And rightly so, because it brings the Fleischer’s unique brand of surrealism to the max, being simply stuffed with mesmerizing images, unexpected metamorphosis and stream-of-consciousness-like story flows.
The short is also the second of three cartoons featuring the unique voice of Cab Calloway, the others being ‘Minnie the Moocher‘ (1932) and ‘The Old Man of the Mountain‘ from five months later. According to Leslie Cabarga (‘The Fleischer Story’, p.64) the film was animated by one man, Doc Crandall. Indeed he’s the only animator credited on the title card. This may be the cause of the short’s remarkable inner consistency. For the images may make no sense, they do flow into each other in a seamless way, with Betty Boop’s ride into an ice coffin as a particular highlight of absurd logic.
The Fleischer’s ‘Snow-White’ has a winter setting. It starts classical enough with the queen consulting her magic mirror. But then Betty Boop enters the scene, making the knights fall apart and the queen’s head turn into a frying pan, symbolizing her angry jealousy. The queen orders ‘off with her head’, demonstrating the action with her own fingers, and soon Koko and Bimbo (as two knights) prepare for the execution. However, in a very strange string of events they disappear into the hole they’ve dug themselves, while the tree to which Betty is tied sets her free himself.
In another weird string of events Betty Boop ends in an ice coffin at the dwarfs’ door. They drag her into the ‘mystery cave’, followed by the queen, who, using her magic mirror, has turned herself into a witch. Koko and Bimbo also enter the cave. Koko starts singing the St. James Infirmary Blues, one of Calloway’s classic hits, with Cab Calloway’s voice and movements. But when the queen turns him into a ghost, Koko suddenly becomes able to morph into a gold chain and into a bottle, illustrating the lyrics of the song. Later the mirror turns the witch into a dragon, which chases the trio, until Bimbo turns it inside out.
There’s a lot going on in this mind-blowing cartoon, which is over before you know it. Being very, very unlike Disney’s later feature film, ‘Snow-White’ is an undisputed highlight of cartoon surrealism, matched by very few other cartoons (the other one which comes to mind is ‘Porky in Wackyland’ from 1938). With this short the Fleischers reached the pinnacle of their pre-code cartoon style, before a combination of the Hays code and a tendency to imitate Walt Disney more toned down their unique vision.
Watch ‘Snow-White’ yourself and tell me what you think:
This is Betty Boop cartoon No. 13
To the previous Betty Boop cartoon: Betty Boop’s Penthouse
To the next Betty Boop cartoon: Betty Boop’s Birthday Party
‘Snow-White’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
October 6, 2014 in Aardman Studio, ★★★★★, Feature films, Stop motion films, United Kingdom | Tags: 2005, horror, hunters, love, metamorphosis, Nick Park, rabbits, Steve Box, stop motion, The Curse of the Were-Rabbit, vegetables, village, Wallace & Gromit | 3 comments
Directors: Nick Park & Steve Box
Release Date: September 4, 2005
Stars: Wallace & Gromit
‘The Curse of the Were-Rabbit’ elaborates primarily on the themes of ‘A Close Shave’: love and horror. This time Wallace and Gromit are after a giant rabbit threatening the crops breeds for a vegetable contest in the village.
The stop motion animation in this film is practically flawless, elevating the century old technique to the highest standards possible. Indeed, both this film and ‘Tim Burton’s Corpse Bride‘, another stop motion film, were far superior to any computer animated feature film released in 2005 or 2006.
‘The Curse of the Were-Rabbit’ is not only a great animation film, it is great cinema, with excellent camera work, a flawless story, wonderful characterization and lean storytelling that builds to a spectacular climax. Especially the animation of Gromit is stunning, because his acting is completely silent throughout the picture and uses only the eyes to suggest emotion.
Watch ‘Wallace & Gromit: The Curse of the Were-Rabbit’ yourself and tell me what you think:
June 3, 2010 in ★★★★★, Betty Boop, Black and White Films, Max Fleischer films | Tags: 1934, Betty Boop, Bimbo, Fearless Freddie, Hays code, melodrama, metamorphosis, She Wronged Him Right, surrealism | Leave a comment
Arguably the first Betty Boop cartoon with a clear plot, ‘She Wronged Him Right’ marks the debut of Fearless Freddie, who seems to be designed as Betty’s new suitor (Bimbo, being an animal, was no longer accepted in a Hollywood dominated by the puritan Hays Code). His stay would be short, however, because very soon Betty would lose interest in men altogether, taking the Code even further.
Only nine months later the formula of this cartoon was repeated with less successful results in ‘Betty Boop’s Prize Show’. ‘She Wronged Him Right’ still contains some wonderful metamorphosis gags and some inanimate objects speaking or suddenly growing hands, preserving some of Fleischer’s famous surrealism.
The very idea of Betty performing in a melodrama may have been borrowed from Disney, who had released the comparable ‘Mickey’s Mellerdrammer’ in 1933.
Watch ‘She Wronged Him Right’ yourself and tell me what you think:
This is Betty Boop cartoon No. 23
To the previous Betty Boop cartoon: Parade of the Wooden Soldiers
To the next Betty Boop cartoon: Red Hot Mama
‘She Wronged Him Right’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’