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Director: Dave Fleischer
Release Date: November 7, 1931
Stars: Betty Boop, Rudy Vallee
Rating: ★★★
Review:
‘Kitty from Kansas City’ is a Screen Song in which Rudy Valley sings his famous hit from 1930 about his dumb girlfriend Kitty.
This short starts with Kitty (whom we can recognize as Betty Boop) waiting for the train, until she’s picked up by a mail hook. Enter Rudy Vallee in bowler hat and with old-fashioned mustache, singing the title tune, accompanied by the bouncing ball. The cartoon ends with a particular fat Kitty involved in random events.
‘Kitty from Kansas City’ is important for two reasons: it’s the first cartoon in which Betty Boop is completely human, and second, it introduces a new story element, which was to be used frequently in the years to come: that of an old man fancying her. This time it’s an old station master.
Watch ‘Kitty from Kansas City’ yourself and tell me what you think:
‘Kitty from Kansas City’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: October 10, 1931
Stars: Betty Boop, Bimbo
Rating: ★★½
Review:
Betty Boop, who lives in an apartment across the street, invites Bimbo over, but he can’t come, because he has to attend his little baby brother Aloysius.
Nevertheless, he does abandon the mischievous little brat and goes to Betty’s house to skip rope. However, Aloysius sucks them back into his own house, using a particularly powerful vacuum cleaner.
Aloysius is seen smoking a cigar and reading the paper, not unlike Baby Herman in ‘Who Framed Roger Rabbit‘ (1988). The cartoon establishes Bimbo and Betty as lovers, but it doesn’t make much sense, and its gags feel random and misguided.
‘Minding the Baby’ was the last cartoon featuring Betty with dog ears. in her next cartoon ‘Mask-A-Raid‘ she became fully human.
Watch ‘Minding the Baby’ yourself and tell me what you think:
This is Talkartoon No. 25
To the previous Talkartoon: Bimbo’s Express
To the next Talkartoon: In the Shade of the Old Apple Sauce
‘Minding the Baby’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: August 22, 1931
Stars: Betty Boop, Bimbo
Rating: ★★
Review:
In this Talkartoon Bimbo is a moving man, moving Betty Boop’s household together with a horse, a cat and a hippo.
The short features ca. no story and consists of a string of unrelated throwaway gags. The animation, too, is at times completely random. For example, there’s some totally unnecessary and incomprehensible flexible animation on Bimbo’s van in the opening scene. This total lack of direction hampers ‘Bimbo’s Express’, and it fails to fulfil any promise.
The cartoon’s most stunning scene is that of Betty Boop cutting her toenails. But even more striking is Sammy Timberg’s music, which is loosely jointed from numerous familiar tunes, and which anticipates Carl Stalling’s techniques by several years.
This cartoon is billed ‘Bimbo & Betty’, indicating Betty’s rising star. In the next cartoon, ‘Minding the Baby‘, it would be ‘Betty Boop and Bimbo’, and in ‘Mask-A-Raid‘, it’s already “Betty Boop in ‘Mask-A-Raid’ with Bimbo’…
Watch ‘Bimbo’s Express’ yourself and tell me what you think:
This is Talkartoon No. 24
To the previous Talkartoon: Bimbo’s Initiation
To the next Talkartoon: Minding the Baby
‘Bimbo’s Express’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: July 24, 1931
Stars: Bimbo, Betty Boop
Rating: ★★★★★ ♕
Review:
‘Bimbo’s Initiation’ is probably the most famous Betty Boop cartoon, apart from ‘Snow-White‘ (1933).
Nevertheless, Betty only plays a small part in the cartoon, which is really about Bimbo. In his previous cartoon, ‘The Herring Murder Case’, Bimbo had been redesigned. He’s now more clearly a dog character, with a predominant black coloring instead of the earlier white. This redesigned Bimbo has some character in his rather original looks, but he’s still far from a character, remaining only a foil for the things happening around him.
In no cartoon this is so clear as in ‘Bimbo’s Initiation’. In the first scene we watch him walking on the street, when he suddenly falls into a well and is being caught in a scary underworld beneath the street. There bearded guys repeatedly ask him whether he wants to be a member of their secret order. Bimbo keeps saying no, and he tries to flee, but he cannot escape the nightmarish world, in which every deadly room leads to another one. These scenes are accompanied by a hot jazz version of ‘Tiger Rag’. Luckily, the last room features Betty, and when she asks him whether he wants to be a member, Bimbo gives in. Then all the bearded figures appear to be duplicates of her!
Betty Boop is completely blank in this cartoon and she still has dog ears here. But the nightmarish world is absolutely inspired. It’s both claustrophobic and funny, and we feel with Bimbo, who’s now victim of a world, in which no law, whether human or natural, applies. No other cartoon was so far removed from the happy world of Walt Disney, and arguably no other cartoon before Tex Avery’s ‘Northwest Hounded Police‘ (1946) and Chuck Jones’s ‘Duck Amuck‘ (1953) would be so compelling in portraying the anguish of a trapped cartoon character. Despite its primitive looks, the cartoon hasn’t aged at all, and it’s an undisputed classic within the complete cartoon canon.
‘Bimbo’s initiation’ undoubtedly has been the inspiration of the scary cartoon sequence in which a girl is caught in Joe Dante’s episode in the theatrical version of ‘The Twilight zone’ (1983).
Watch ‘Bimbo’s initiation’ yourself and tell me what you think:
This is Talkartoon No. 23
To the previous Talkartoon: The Herring Murder Case
To the next Talkartoon: Bimbo’s Express
‘Bimbo’s initiation’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’ and on Betty Boop: Essential Collection 2′
Director: Dave Fleischer
Release Date: April 16, 1931
Rating: ★★★½
Review:
‘Any Little Girl That’s A Nice Little Girl’ is a Screen Song about a cat who’s dating several girls at the same time.
First we watch him dating his girls through the telephone, then he goes through a bunch of photographs and chooses to visits hot Lulu Belle. When he tries to sneak out, Lulu Belle hits him with the couch. Enter the Screen Song, which is accompanied with images of e.g. a naked woman in a bath(!) and a picture of Betty Boop, who otherwise does not appear in this cartoon.
Only the first scene features lip-synch, and the scene with Lulu Belle also features an excerpt from the 1929 hit song ‘What Wouldn’t I Do for That Man’, popularized by Annette Hanshaw and Ruth Etting. This excerpt is much more interesting than the 1910 vaudeville title song. The last chorus features some nice interplay between the words and the animated characters, typical for the Screen Songs of this era.
Watch ‘Any Little Girl That’s A Nice Little Girl’ yourself and tell me what you think:
‘Any Little Girl That’s A Nice Little Girl’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: March 21, 1931
Rating: ★★★
Review:
‘In My Merry Oldsmobile’ is a rather odd commercial for Oldsmobile, done in Screen Song fashion. The cartoon will be familiar of readers of Leonard Maltin’s ‘Of Mice and Magic’, for his book features several stills from this film.
The film starts weird to begin with. We watch an evil male character sneak upon a woman undressing(!). Luckily she reveals countless dresses under each other. The creepy guy sneaks into her home and asks the terrified woman for a ride, which she unsurprisingly refuses. Then suddenly a little guy arrives offering her a ride in his Oldsmobile outside. This section uses a lot of dialogue, but no lip synch whatsoever.
The little guy’s invitation for a ride prompts the barbershop title song (a hit song from 1905) and the bouncing ball, so typical of Fleischer’s Screen Songs. The song is accompanied by images of a couple riding an Oldsmobile Curved Dash from 1904, the car celebrated in the song. Then we watch the cartoon characters riding this car, and suddenly there’s a lot of metamorphosis of words into the car etc. The film ends as oddly as it started: when the couple gets married, they’re immediately in a boxing match, indicating that marriage is one long fight.
One wonders how such a story would help Oldsmobile selling more cars. Moreover, none of their latest models is featured in the cartoon, only their first model, which by 1931 was of course extremely outdated.
Watch ‘In My Merry Oldsmobile’ yourself and tell me what you think:
‘In My Merry Oldsmobile’ is available on the DVD ‘Fleischer Classics featuring Gulliver’s Travels’
Director: Dave Fleischer
Release Date: May 23, 1931
Stars: Bimbo, Betty Boop
Rating: ★★★
Review:
In ‘Silly Scandals’ Bimbo wants to visit a theater, where Betty Boop performs.
Unfortunately he’s broke, but he finally succeeds in sneaking into the theater by walking backwards along the leaving crowd. Inside we watch Betty singing the 1930 hit song ‘You’re driving me crazy’. Like in ‘Mysterious Mose‘ her sexiness is well explored, as her dress falls off during the performance, revealing her bra.
After Betty’s performance, Bimbo ends up being hypnotized by a magician, who makes our unfortunate hero dance against his will. The cartoon ends in a short, but zany and nightmarish dream sequence.
‘Silly Scandals’ is a transitional cartoon that shows the potential of Fleischer’s fledgling cartoon star Betty Boop, but failing to explore it to the max, still focusing on the rather bland Bimbo. We hear her name for the very first time. Yet, Bimbo is still the only billed star of the cartoon. But the Fleischers were quick learners, and with almost every subsequent Talkartoon Betty’s star would rise, and her screen time increase.
Watch ‘Silly Scandals’ yourself and tell me what you think:
This is Talkartoon No. 21
To the previous Talkartoon: Twenty Legs under the Sea
To the next Talkartoon: The Herring Murder Case
‘Silly Scandals’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: April 3, 1931
Stars: Bimbo, Betty Boop
Rating: ★★½
Review:
Bimbo is a train robber who holds up a train. Unfortunately for him, his stout wife, Betty Boop (called Nan McGrew in this cartoon), is also on this train.
She confronts him and in the end Bimbo unwillingly reunites with his wife, fleeing with her into the distance on the locomotive.
‘The Bum Bandit’ lacks the wild surrealism of earlier Talkartoons, like ‘Barnacle Bill‘ and ‘Mysterious Mose‘ (both 1930), and is thus less interesting to watch. The best scene is when Bimbo practices shooting, e.g. shooting a cow from the sky. There is also some nice and flexible animation on the riding train. Betty Boop has a distinctly different voice here, which was not repeated after this cartoon.
Watch ‘The Bum Bandit’ yourself and tell me what you think:
This is Talkartoon No. 18
To the previous Talkartoon: The Cow’s Husband
To the next Talkartoon: The Male Man
‘The Bum Bandit’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
Director: Dave Fleischer
Release Date: September 24, 1930
Stars: Bimbo?
Rating: ★★★★★ ♕
Review:
‘Swing You Sinners!’ is an early Talkartoon, and a wildly imaginative one, too.
We watch a thief (probably Bimbo, but his appearance in the early Talkartoons is so inconsistent, one can’t be sure). The thief tries to steal a chicken, but runs into a cop. The thief then flees into a graveyard, where he has a particularly nightmarish experience. First the gate locks itself, then turns into a stone wall, and then the graves start to sing…
Soon all kinds of inanimate objects start to haunt him. And although the soundtrack is very jazzy, ‘Swing You Sinners!’ remains a bad trip throughout. At one time the walls close into him, at another a ghost promises him to give him a ‘permanent shave’.
The animation is extremely rubbery, and even insane. For example, when we watch a chicken do some scatting, both the chicken and the background are very wobbly, to a hallucinating effect. In the end we watch countless ghosts marching, followed by even more ghostly images when the thief starts to descend into hell. The cartoon ends with a giant skull swallowing the thief, a surprisingly grim ending for a cartoon with such swinging music*.
In any case ‘Swing You Sinners!’ is a testimony of the sheer creativity, which was the Max Fleischer Studio in the early 1930s, and should be placed among the greatest cartoons of all time.
Watch ‘Swing You Sinners!’ yourself and tell me what you think:
This is Talkartoon No. 10
To the previous Talkartoon: Barnacle Bill
To the next Talkartoon: Grand Uproar
‘Swing You Sinners’ is available on the French DVD Box Set ‘Betty Boop Coffret Collector’
*It may be interesting to note that this is one of the earliest mentions of swing, predating for example Duke Ellington’s song ‘It Don’t Mean A Thing (If It Ain’t Got That Swing)’ by two years, and being miles ahead of the swing craze of the second half of the 1930s.
Director: Dave Fleischer
Release Date: July 18, 1930
Rating: ★★★★
Review:
The Fleischer studio had already experimented with synchronized sound in 1924, four years before ‘Steamboat Willie‘, so of all cartoon studios they made the transition to sound the most easily.
The Fleischers’ first sound series were the Screen Songs, the first of which was released in February 5, 1929. Eight months later they were followed by the aptly titled Talkartoons. These Talkartoons didn’t have a single star, but like Disney’s Silly Symphonies explored a wide range of subjects.
These Talkartoons show the Fleischers’ disregard of lip synchronization. This feat was reserved for special scenes, like song sequences. Unlike Disney, the Fleischers recorded all dialogue after animation, inviting the voice actors to ad-lib at will. Thus the Fleischer cartoons were the most talkative of all 1930s shorts. This technique reached its peak when Jack Mercer became Popeye’s voice in 1935, but already peppers their earliest output.
The improvised dialogue suits the studio’s free spirited, and equally improvised animation style perfectly. Add a multitude of zany gags, strikingly jazzy soundtracks and remarkably adult subject material, and it’s clear why the Max Fleischer cartoons from 1930-1933 are among the most delightful of all studio cartoons from the golden age.
‘Wise Flies’, the seventh Talkartoon, is a perfect example. It uses the theme of ‘the spider and the fly’, a theme Walt Disney would also use one year later in ‘The Spider and the Fly‘ (1931). However, the Disney version lacks the sexual overtones present in this Fleischer’s version. In it a six-legged spider spots some flies on a hobo’s head. He tries to catch one, but returns home to his wife empty-handed.
However, later he seduces a female fly, playing ‘Some of These Days’ on his web (a delightfully fast piece of guitar jazz). He then starts singing this tune, popularized by Sophie Tucker in 1926, and a hit for Louis Armstrong in 1929. His song leads to a dance sequence much akin to Disney’s Silly Symphonies from the same era. The film ends when the spider’s wife gets jealous, and interrupts the spider’s courting.
The animation by Willard Bowsky and Ted Sears is crude and simple, but the swinging soundtrack is delightful. The end result is an enjoyable piece of rubberhose animation.
Watch ‘Wise Flies’ yourself and tell me what you think:
This is Talkartoon No. 7
To the previous Talkartoon: Fire Bugs
To the next Talkartoon: Dizzy Dishes
Director: Dave Fleischer
Release Date: July 3, 1942
Stars: Popeye, Olive Oyl, Li’l Swee’Pea
Rating: ★★★★½
Review:
‘Baby Wants a Bottleship’ opens with Olive visiting Popeye, whose battleship is stationed at the harbor.
Olive has brought li’l Swee’Pea with her. The baby wants to have a battleship en climbs aboard the cruiser. Popeye has a hard time catching him again.
The result is a cartoon of great comedy and excellent timing. The action includes a musical number in which Popeye is clobbered by a canon. Like in the previous Popeye cartoon, ‘Many Tanks’, Popeye’s design switches between old and new.
Watch ‘Baby wants a Bottleship’ yourself and tell me what you think:
This Popeye film No. 108
To the previous Popeye film: Many Tanks
To the next Popeye film: You’re a Sap, Mr. Jap
Director: Dave Fleischer
Release Date: May 15, 1942
Stars: Popeye, Bluto, Olive Oyl
Rating: ★★★
Review:
In this World War II cartoon Bluto is a soldier who tries to sneak away to date Olive Oyl.
When Popeye passes by Bluto tricks him into his army uniform. Popeye unwillingly has to join a tank squad, which leads to hilarious antics. Only when he has eaten some spinach Popeye directs his tank out of the camp straight to Bluto, who is wooing Olive.
Jack Mercer’s ad libbing during Popeye’s tank ride is fantastic and a highlight of the cartoon, as is the extremely flexible animation on Popeye’s tank. Popeye’s design changes back and forth from the old Fleischer design to the later, more streamlined Famous design, which makes its debut in this cartoon.
Watch ‘Many Tanks’ yourself and tell me what you think:
This Popeye film No. 107
To the previous Popeye film: Olive Oyl and Water Don’t Mix
To the next Popeye film: Baby Wants a Bottleship
Director: Dave Fleischer
Release Date: March 13, 1942
Stars: Popeye
Rating: ★★★
Review:
‘Fleets of Stren’th’ is the third in a series of cartoons in which Popeye has joined the American navy.
In this cartoon Popeye still is a lousy sailor, but when the battle cruiser is under attack, he once again shows what he’s able to do (see also ‘Blunder Below‘). This time the battle cruiser is attacked by a squad of Japanese dive bombers. It takes some time before Popeye is able to eat his spinach, but when he does, he turns into a plane himself, defeating the complete enemy fleet.
In this process we see only one pilot, the other planes are subtly dehumanized. In this way we’ll never think of the fate of the Japanese pilots, at all. This was a clever device used in many war propaganda films of the time.
Watch ‘Fleets of Stren’th’ yourself and tell me what you think:
This Popeye film No. 104
To the previous Popeye film: Blunder Below
To the next Popeye film: Pip-Eye, Pup-eye, Poop-eye and Peep-eye
Director: Dave Fleischer
Release Date: February 13, 1942
Stars: Popeye
Rating: ★★★★
Review:
Popeye had joined the navy before the United States entered the war, in ‘The Mighty Navy‘ (November 1941), so in ‘Blunder Below’ he’s ready to fight the enemy, the first major cartoon star to do so on the movie screen.
In the first part of this cartoon Popeye tries to be a normal sailor, among Superman-like sailors, trying to learn gunning. He is no talent, however, blundering away and almost shooting down the captain by accident.
But when a submarine approaches, Popeye shows his real worth: he beats the submarine single-handedly, saving the battle cruiser. It’s this great combination of clumsiness and superhuman powers which make Popeye such an appealing character.
The approaching submarine is accompanied by the music of Franz Schubert’s Erlkönig, indicating a German origin. However, it soon turns out to be Japanese. The submarine is anthropomorphic itself and completely dehumanized, as if it were not manned by people at all. When in August 1942 Popeye changed hands from the Fleischers to Paramount, this would radically change…
Watch ‘Blunder Below’ yourself and tell me what you think:
This Popeye film No. 103
To the previous Popeye film: Kickin’ the Conga ‘Round
To the next Popeye film: Fleets of Stren’th
Director: Dave Fleischer
Release Date: August 26, 1942
Stars: Superman
Rating: ★★★
Review:
In ‘Terror on the Midway’ Lois is reviewing something as mundane as a circus, when a small monkey accidentally releases a titanic gruesome gorilla.
The gorilla follows her, while Superman’s busy putting other animals back into their cages. He rescues Lois and captures the gorilla, but it remains unclear how he stops the fire that has started, too.
‘Terror in the Midway’ is one of those fortunate Superman shorts without a villain (see also ‘The Arctic Giant’ and ‘Volcano‘ from the same year). However, it also shows Fleischer’s ambivalent realism: it contains some generic Fleischer thirties children designs, which by 1942 really look old-fashioned, but there are also some rare close-ups of Lois and Superman, which add to the drama. The staging, too, is superb, with some spectacular shots.
The gorilla looks like a typical King Kong-like monster, despite the fact that its model sheet was partly based on rotoscoped movements of real gorillas. Apparently, Bambi-like naturalism was wasted on the Fleischers animators.
gorilla modelsheet from ‘Terror on the midway’
Unfortunately, ‘Terror on the Midway’ would be the last Superman cartoon made by the Fleischer studios, before Paramount stole their crew to form their own Famous Studios. Indeed, it was the very last film the Fleischer brothers made together, ending an era that had begun 27 years earlier.
Watch ‘Terror on the Midway’ yourself and tell me what you think:
This is Superman film No. 9
To the previous Superman film: Volcano
To the next Superman film: Japoteurs
Director: Dave Fleischer
Release Date: July 17, 1942
Stars: Superman
Rating: ★★★
Review:
In the aptly titled short ‘Volcano’, a dormant volcano is starting to erupt again on the island of Monokoa.
Daily Planet reporters Lois and Clarke are present, but Lois steals Clark’s press pass to work alone. She sneaks away to visit the volcano by herself, but when she’s up on the volcano, it suddenly erupts. Superman saves her and the village below by redirecting the lava to the other side.
Together with ‘The Arctic Giant’ and ‘Terror on the Midway‘, ‘Volcano’ is noteworthy for featuring no villain, let alone an evil scientist. Moreover, this Superman short probably contains the most spectacular effect animation within the series in its terrifying depiction of floating lava.
Watch ‘Volcano’ yourself and tell me what you think:
This is Superman film No. 8
To the previous Superman film: Electric Earthquake
To the next Superman film: Terror on the Midway
Director: Dave Fleischer
Release Date: June 15, 1942
Stars: Superman
Rating: ★★½
Review:
In the seventh Superman short New York is threatened by – whattaya know? – an evil scientist. But this evil scientist is more original than all the others before him: he is of Native American origin and he claims Manhattan for his own people.
Nonetheless, like all other evil scientists before him, he has a machine. His ridiculous machine causes earthquakes by using electricity. Oddly enough, the scientist first makes his threats at the Daily Planet. And when he returns to his secret hideout, Lois, of course, follows him. In his laboratory below sea level the scientist makes Lois watch the destruction of the city.
Luckily, Superman saves Manhattan by destroying the machine. However, he’s only able to rescue Lois because the scientist tells him that she’s still down in his laboratory, which is rapidly filling with water…
In any case the result is yet another routine entry.
Watch ‘Electric Earthquake’ yourself and tell me what you think:
This is Superman film No. 7
To the previous Superman film: The Magnetic Telescope
To the next Superman film: Volcano
Director: Dave Fleischer
Release Date: March 26, 1942
Stars: Superman
Rating: ★★
Review:
Although it’s only the fifth Superman cartoon, ‘The Bulleteers’ already feels so formulaic, it’s depressing.
Like in Superman’s first two cartoons some evil scientists with some crazy machine threaten the city, Lois gets into trouble, superman saves her and Clark Kent discusses her story in the newspaper with her. This time the novelty is that we’re watching three villains.
The evil trio has invented a ‘bullet car’ (part car, part plane, part rocket), with which they destroy the police headquarters and a power-plant by flying through it. Lois foolishly climbs aboard the car, but Superman drags her and the villains out of it in flight.
The spectacular angular staging and effective lighting in this cartoon cannot hide the fact that with ‘The Bulleteers’ the series had reached an inspirational low point story-wise. Later in 1942, the war became a major theme in the Superman series, which fortunately led to more inspired story ideas.
Watch ‘The Bulleteers’ yourself and tell me what you think:
This is Superman film No. 5
To the previous Superman film: The Arctic Giant
To the next Superman film: The Magnetic Telescope
Director: Dave Fleischer
Release Date: November 21, 1941
Stars: Superman
Rating: ★★★½
Review:
‘The Mechanical Monsters’ was Superman’s second cartoon, and it is almost a copy of the first one.
Again, there’s an evil scientist, this time a jewel thief, who robs jewelry using huge flying robots. Again, Lois gets herself into trouble by her curiosity and, again, after Superman has saved the day, Lois and Clark discuss Lois’s article in the newspaper.
This copying of a formulaic story format is the main weakness of the Superman series, and it’s saddening to see it already happening in the second cartoon. Luckily, the execution of the formula is better than in the first cartoon. This evil scientist is drawn more realistically, and the sidekick has gone. The elaborate intro has been shortened into a few seconds, leaving more room for the story. Moreover, watching Superman knocking down giant robots is more enjoyable than watching him defeating a ray.
Watch ‘The Mechanical Monsters’ yourself and tell me what you think:
This is Superman film No. 2
To the previous Superman film: Superman
To the next Superman film: Billion Dollar Limited
Director: Dave Fleischer
Release Date: September 26, 1941
Stars: Superman
Rating: ★★★
Review:
‘Superman’ is the first Superman cartoon, the very first cartoon series to feature realistic characters, and the Fleischer Studio’s most ambitious cartoon series.
Superman, of course, was based on the comic strip hero who made his debut in 1938. For his screen debut, the studio made a long introduction of the character, which lasts almost two minutes.
After this intro a very simple story develops, which contains many elements to be reused in later Superman cartoons, becoming a routine all too soon:
1) an evil scientist
2) something big to beat (in this cartoon a deadly ray, which Superman ridiculously punches away)
3) Lois getting intro trouble due to her curiosity, and
4) an ending with Lois and Clarke reading a newspaper article written by Lois Lane.
Despite elaborate shadows and special effects, this first realistic theatrical cartoon (not counting the works by Winsor McCay) hasn’t aged very well. The scientist is still half cartoony, and he has an animal sidekick, which mimics his moves.
The rest of the characters are drawn realistically, but also stiff and expressionless. They look forward to the wooden realistic cartoons of the TV era. The character was very popular, however, and inspired a couple of parodies, most notably the Bugs Bunny cartoon ‘Super Rabbit’ (1943). It’s ironic that after Popeye the Fleischer again had to rely on a character created elsewhere to achieve success. Unfortunately, this meant they couldn’t exploit Superman’s popularity as much as they could have with a character of their own.
Superman would star in seventeen cartoons, all from 1941-1943, nine by the Fleischer Studios, and eight by its successor, Famous studios. In 1943 the series was dropped because it was too costly to produce.
Watch ‘Superman’ yourself and tell me what you think:
This is Superman film No. 1
To the next Superman film: The Mechanical Monsters
Dr. Grob's Animation Review 