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Director: Hugh Harman
Release Date: September 18, 1933
Rating:  ★★½
Review:

Bosko's Picture Show © Warner Bros.‘Bosko’s Picture Show’ was one of the last Bosko cartoons Harman & Ising made for Leon Schlesinger.

The short nicely parodies a typical cinema evening of the time. Bosko himself plays the organ in a cinema, inviting the audience to join him in singing ‘We’re in the Money’ from the Warner Bros. musical ‘Gold Diggers of 1933’ . Then we watch some nonsensical news items.

The most disturbing of these is about Jimmy Durante being on holiday in Germany: we watch a scene of Adolf Hitler chasing the comedian with an ax, supposedly because the actor’s big nose makes him look Jewish. This gag wasn’t really innocent in 1933, but nowadays is appallingly shocking. It does show, however, that already in 1933 the fierce antisemitism of the freshly installed dictator was widely known. In any case, it might very well be the earliest caricature of Hitler in animated cinema.

Then we watch a Laurel and Hardy short (sort of) called ‘In Spite of Everything’. Somehow Laurel and Hardy are dressed as little boys, trying to steal a pie, but the caricatures are neither convincing, nor really funny.

Then we can watch the main picture ‘He Done Her Dirt (And How!)’, an obvious take on the Mae West vehicle ‘He Done Her Wrong’ from earlier that year. The feature stars Honey, who’s dressed like West in that picture, but that’s it. No other reference to the great comedienne is shown. Instead we’re treated on pure melodrama, with Bosko making a rather unconvincing end to it.

‘Bosko’s Picture Show’ somehow painfully shows the lack of appeal Bosko actually has. Unlike Harman & Ising’s last Merrie Melodies, which show a Disney-like quality, the Bosko cartoons were disappointingly devoid of ambition. Bosko just ‘does’ things. He lacks either motivation or purpose, and belongs to an era that by the end of 1933 had pretty much ended.

However, Schlesinger’s answer to Bosko, Buddy, would become anything but an improvement. Luckily, in 1936 Warner Bros. finally found its own style, and so, in 1937 could cover similar grounds in ‘She was an Acrobat’s Daughter‘ (1937) with much funnier results.

Watch ‘Bosko’s Picture Show’ yourself and tell me what you think:

‘Bosko’s Picture Show’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’

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Director: Bill Nolan
Release Date: September 18, 1933
Stars: Oswald, Honey
Rating: ★★★★★
Review:

Five and Dime © Walter Lantz‘Five and Dime’ is a cartoon devoted to the 1931 hit song ‘ I Found A Million Dollar Baby’.

The short opens with Oswald being caught in a rainstorm (featuring the storm music from Gioachino Rossini’s overture William Tell). He rushes into a warehouse, where he sings ‘I Found A Million Dollar Baby’ for Honey, one of the employees.

‘Five and Dime’ is one of the most Merry Melodies-like Lantz cartoons: not only is it made around one hit song, it also features caricatures of Hollywood stars as dolls. Thus we watch caricatures of Charlie Chaplin, Laurel and Hardy and Jimmy Durante. The latter is a jack-in-the-box, just like he was in ‘Mickey’s Good Deed‘ from 1932. During the song there are numerous random gags, including one in which a goldfish swallows a complete cat. I suspect this particular gag was one by Tex Avery, who worked on this cartoon.

The finale of ‘Five and Dime’ is particularly noteworthy, as we watch Oswald and Honey march into and out of several stores to get dressed for their wedding, then in and out of a church to get married, and finally into their new home, on top of which the stork is already waiting… This sequence has great rhythm, enhanced by the joyful song, and is one of the best finales of any Walter Lantz cartoon.

Watch ‘Five and Dime’ yourself and tell me what you think:

‘Five and Dime’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’

 

Director: Bill Nolan
Release Date: October 10, 1932
Stars: Oswald, Honey, Peg Leg Pete
Rating: ★★
Review:

Carnival Capers © Walter Lantz‘Carnival Capers’ takes place at the beach and at a carnival.

We watch Oswald and Honey trying to enjoy themselves, but being bullied by Peg Leg Pete. Oswald finally disposes of Pete, with help of a fence, a lobster, a cat, a dog and a goat.

‘Carnival Capers’ looks pretty old-fashioned by 1932 standards. It recalls the Mickey Mouse cartoon ‘The Karnival Kid‘ (1929) in its setting, and the silent Oswald cartoons with its love triangle. At one point Pete is cut into two – a familiar gag in the 1920s, but by 1932 a rare one, as by then cartoon characters had gained more consistency. Overall, the animation and the vocalizations are rather erratic.

A young Tex Avery worked on this cartoon, and perhaps he came up with the gag of a phlegmatic dog making milkshakes with help of a shimmy dancer, which is arguably the best gag in the whole cartoon.

Watch ‘Carnival Capers’ yourself and tell me what you think:

‘Carnival Capers’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’

Director: Mannie Davis
Release Date: May 18, 1933
Stars: Cubby the Bear, Honey
Rating: ★★
Review:

Barking Dogs © Van Beuren‘Barking Dogs’ is one of those 1930’s cartoons with a clear Great Depression theme.

The short opens with Honey worrying as she will be displaced because she didn’t pay her mortgage (a story idea anticipating Disney’s ‘Moving Day‘ by three years). Cubby comes along, and offers her to help. His help is hardly convincing, as he immediately runs off in a feeble attempt to pawn his pocket knife. Meanwhile, the evil land owner, A. Wolf, comes along to take all Honey’s furniture away, and incidentally, her house, too. Meanwhile, two metal dogs (?!) warn Cubby who returns to the scene, finding Honey crying on the doorstep. “It’s too late” she sobs, at which he replies “Nothing is too late for Cubby!”, and together they ride the two metal dogs to A. Wolf’s house. Strangely, it’s the two dogs who fight and dispose of the evil land owner, leaving Cubby as a completely idle bystander.

The complete cartoon makes little sense and is difficult to enjoy as none of the animation is interesting or any of the gags funny. But once again, Gene Rodemich’s score is delightful and on a complete different level than all other aspects of the cartoon. The two metal dogs are elegantly designed and much more appealing than Cubby and his girlfriend.

Watch ‘Barking Dogs’ yourself and tell me what you think:

‘Barking Dogs’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Director: Mannie Davis
Release Date: April 28, 1933
Stars: Cubby the Bear, Honey
Rating: ★★
Review:

Bubbles and Troubles © Van BeurenCubby the Bear’s fourth cartoon, ‘Bubbles and Troubles’, has quite a bizarre story.

The short starts when Cubby starts blowing bubbles with Honey’s soap water. He accidentally blows himself up, and takes the air immediately. He’s shot out of the air by a bunch of pirates, and he falls to the ground. While he’s unconsciousness, the mean pirates kidnap Honey and take her to their ship. The absurdity of the Van Beuren studio’s story-telling style is perfectly illustrated by a scene in which the captain grabs some money, saying ‘money’, than grabbing some more, saying ‘more money!’. When Buddy awakes, he places himself inside a bubble and takes flight to the pirate ship, where he disposes of all the pirates all too easily.

In ‘Bubbles and Troubles’ Cubby approaches Mickey’s character as much as apparently possible, and the short could have been a great adventure cartoon if it were better told and less loony. It’s highly recommended nevertheless, not so much to watch, but to listen to, for Gene Rodemich’s score is no less than wonderful.

Watch ‘Bubbles and Troubles’ yourself and tell me what you think:

‘Bubbles and Troubles’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Director: Mannie Davis
Release Date: March 24, 1933
Stars: Cubby the Bear, Honey
Rating: ★★★
Review:

The Last Mail © Van BeurenThe Last Mail’ is the first Cubby the Bear cartoon to place him in a Mickey Mouse-like hero role.

It’s interesting to compare this cartoon to Mickey’s ‘The Mail Pilot‘, which was released two months later. It immediately becomes clear why Mickey has remained famous, while Cubby fell into oblivion. In all aspects Cubby’s cartoon is the lesser product: in design, in animation, and in storytelling. Nevertheless, it is one of Cubby’s most entertaining cartoons, as it features a straight-forward story, which is surprisingly consistent for the Van Beuren studio.

In ‘The Last Mail’ Cubby is a mailman riding a squirrel-led sleigh through a wintery landscape. In the village where he delivers the mail he dances with Honey to a jig. When he leaves again, Honey comes along, sneaking into Cubby’s mail bag. The two are held up by an evil raccoon, who kidnaps Honey. But Cubby saves her with help from an American Eagle.

Composer Gene Rodemich is in good shape here, weaving ‘Pop Goes the Weasel’ into the dancing scene (see also Mickey’s ‘The Shindig‘ from 1930) , and using ‘The Stars and Stripes Forever’ in the eagle scenes. ‘The Last Mail’ is the first Cubby the Bear cartoon in which director Mannie Davis is credited on the opening titles.

Watch ‘The Last Mail’ yourself and tell me what you think:

‘The Last Mail’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Director: Mannie Davis
Release Date: March 10, 1933
Stars: Cubby the Bear, Honey
Rating:
Review:

Love's Labor Won © Van Beuren‘Love’s Labor Won’, Cubby the Bear’s second cartoon, is the most musical short featuring Van Beuren’s poor man’s Mickey Mouse.

The cartoon starts with Cubby riding a dachshund to his girlfriend’s house. This anonymous girl, only called Honey by Cubby, is yet another variation on Oswald’s Honey, Flip’s Honey, or Mickey’s Minnie and fails to be distinct in any sense. The two make music together. At one point Cubby takes his gloves off to play the piano four hands with them, incidentally revealing to have nails. Cubby’s and Honey’s duet causes a lot of singing and dancing by forest animals. It’s startling to watch the Van Beuren studio embracing the song-and-dance-routine so passionately in 1933, when other studios were already abandoning them. But then suddenly some kind of story resolves when the routine is disturbed by a mean old wolf. Cubby fights him, and the cartoon ends with his triumph.

Despite the joyful setting, there’s little to enjoy in ‘Love’s Labor Won’. The animation is sloppy, and Cubby is frustratingly bland, not even emulating Mickey’s persistent optimism. In this cartoon he has a ridiculous crooner voice, which would not return in subsequent cartoons.

Watch ‘Love’s Labor Won’ yourself and tell me what you think:

‘Love’s Labor Won’ is available on the DVD ‘The Complete Adventures of Cubby Bear’ and the Blu-Ray ‘The Complete Animated Adventures of Cubby Bear’

Director: Hugh Harman
Release Date:
 April 10, 1933
Stars: Bosko, Honey
Rating: ★★½
Review:

Bosko in Person © Warner Bros.‘Bosko in Person’ is to Bosko what ‘Just Mickey‘ (1930) was to Mickey: a cartoon devoted solely to the star performing on stage.

Where Mickey was completely alone, Bosko gets help from Honey in an extraordinary song-and-dance extravaganza, including Bosko playing the piano, Honey dancing, Bosko tap-dancing, Bosko’s glove(!) reciting ‘Mary had a Little Lamb’, Honey singing a blues and doing a Greta Garbo imitation, and Bosko imitating both Maurice Chevalier and Jimmy Durante. The cartoon ends with a celebration of the end of the prohibition, which after 13 years ended in effect when on March 22, low alcohol beer and wine were legalized again.

Unfortunately, ‘Bosko in person’ is over-the-top, trying much too hard to make Bosko an appealing personality, which he isn’t. Indeed, when turning into Maurice Chevalier and Jimmy Durante he loses himself completely. Moreover, the cartoon is stuffed with repetition as some gags appear not once, but twice. The result is tiresome and desperately unfunny. In the end, the short is only noteworthy because of the caricatures of Hollywood stars.

Watch ‘Bosko in Person’ yourself and tell me what you think:

‘Bosko in Person’ is available on the DVD ‘Looney Tunes Golden Collection: Volume Six’

Director: Hugh Harman
Release Date:
 January 16, 1933
Stars: Bosko, Honey, Rudolf Ising
Rating: ★★★
Review:

Ride Him, Bosko © Warner Bros.This Looney Tune has a Western setting with Bosko starring as a singing cowboy, a new type of Hollywood star that has risen during the early 1930’s.

Bosko enters a saloon in Red Gulch, immediately starts a dance and goes on playing the piano. Meanwhile his girlfriend Honey rides a stagecoach, which is chased by three vicious bandits. This chase scene is simply stuffed with animation cycles. As Bosko is busy entertaining, it takes quite a while before Bosko rides off to rescue his sweetheart.

The complete cartoon is rich in action, but surprisingly low on gags (there’s one about a homosexual). It ends surprisingly however. Suddenly we cut back to three animators. Rudolph Ising asks “Say, how does Bosko save the girl?”, an animator replies: “I don’t know.”, and another: “Let’s go home”, leaving Bosko on his sheet of paper. This gag is pretty unconventional, but one cannot but feel a bit of laziness and disinterest in this scene, as if the animators didn’t care much for their own star themselves. Even so, Bosko would star in fourteen more Warner Brothers films, before Hugh Harman and Rudolph Ising took him with them to MGM.

Watch ‘Ride Him, Bosko!’ yourself and tell me what you think:

‘Ride Him, Bosko!’ is available on the DVD ‘Looney Tunes Golden Collection: Volume Six’

Director: Wilfred Jackson
Release Date:
 July 9, 1932
Rating:
Review:

The Bears and the Bees © Walt Disney‘The Bears and the Bees’ follows the adventures of two little bear cubs, who encounter a large mean bear and a bee colony.

The two cubs eat the bees’ honey, but luckily it’s the old mean bear who gets all the stings, in an elaborate battle scene, comparable to those in ‘The Spider and the Fly‘ (1931) and ‘Bugs in Love‘ (1932).

The story of ‘The Bears and the Bees’ is consistent, but remarkably boring. The two little bears look like early forerunners of Mickey’s nephews Morty and Ferdy, who would make their screen debut two years later in ‘Mickey’s Steamroller‘ (1934). It’s interesting to see how the animators tried to render these two cubs partly as animals and partly as little brats. This way of animating animals halfway anthropomorphism would become a Disney specialty, leading to masterpieces like ‘Bambi‘ (1942) and ‘Lady and the Tramp‘ (1956). In this short it can be watched in its embryonic form.

Watch ‘The Bears and the Bees’ yourself and tell me what you think:

This is Silly Symphony No. 27
To the previous Silly Symphony: The Bird Store
To the next Silly Symphony: Just Dogs

‘The Bears and the Bees’ is available on the DVD ‘Walt Disney Treasures: More Silly Symphonies’

Director: Ub Iwerks
Release Date:
 May 2, 1931
Stars: Flip the Frog, Honey
Rating: ★★★
Review:

Ragtime Romeo © Ub Iwerks‘Ragtime Romeo’ initially seems to revisit a theme that Ub Iwerks had explored before with Walt Disney in the Oswald the Lucky Rabbit film ‘Rival Romeos‘ and the Mickey Mouse short ‘The Barn Dance‘ (both 1928), when we watch both Flip and a Pete-like character ride their anthropomorphized cars to Honey’s house.

But when Flip starts to serenade Honey, events take a different turn. Flip serenades her on a guitar, while yodeling and whistling, and on a piano, waking up all the neighbors. Surprisingly, they all respond enthusiastically, urging Flip to play more, except for one, who desperately tries to block out the noise. In the end she calls the police, which arrests the still performing Flip and Honey.

This short contains a piquant scene, in which Flip’s portrait watches Honey undressing. Later, the real Flip watches her naked silhouette through the window curtains. Iwerks’s studio would add more of these risque moments in future shorts, like ‘What a Life‘,  ‘The Office Boy‘ and most notably ‘Room Runners‘ (all from 1932).

Watch ‘Ragtime Romeo’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 10
To the previous Flip the Frog cartoon: Laughing Gas
To the next Flip the Frog cartoon: The New Car

‘Ragtime Romeo’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 2’

Director: Ub Iwerks
Release Date:
 January 31, 1931
Stars: Flip the Frog
Rating:
Review:

The Village Smitty © Ub IwerksIn this cartoon Flip the Frog is a blacksmith in a farm-like setting.

Flip replaces a horseshoe of a horse that belongs to a female cat character. This kitten looks exactly like Honey, who was Oswalds’s girlfriend in the 1927-1928 Oswald the Lucky Rabbit cartoons, which Disney and Iwerks had made together. When the horse gets stung by a mosquito he runs off with “Honey” helpless in her carriage. Luckily, Flip saves the day, and wins “Honey”’s kiss.

‘The Village Smitty’ is much more interesting on paper than on the animated screen. Its even pace and its scarcity of gags makes the cartoon virtually endless.

Nevertheless, ‘The Village Smitty’ profits from Carl Stalling’s inspired music. Stalling had left Disney together with Iwerks, thinking that without Iwerks the Disney studio would have no future. After a while he joined Iwerks in his new studio. Stalling would stay with Iwerks until the studio collapsed in 1936. He then moved to Warner Bros., where he would become the most famous cartoon composer of all time.

Watch ‘The Village Smitty’ yourself and tell me what you think:

This is Flip the Frog cartoon No. 8
To the previous Flip the Frog cartoon: The Soup Song
To the next Flip the Frog cartoon: Laughing Gas

‘The Village Smitty’ is available on the DVD ‘Cartoons That Time Forgot – The Ub Iwerks Collection Vol. 1’

Director: Hugh Harman & Rudolf Ising
Release Date:
 April 19, 1930
Stars: Bosko, Honey
Rating: ★★
Review:

Sinkin' in the Bathtub © Warner Bros.Harman & Ising’s pilot ‘Bosko the Talk-ink Kid‘ lead to a succesful contract with Leon Schlesinger, and in April 1930, the young studio could release their first film for Warner Bros.: ‘Sinkin’ in the Bathtub’.

‘Sinkin’ in the Bathtub’ is the very first of the Looney Tunes, Harman and Ising’s first of three series which name was an all too obvious variation on Walt Disney’s successful Silly Symphonies. In 1931 they would launch the Merrie Melodies, and in 1934, when at MGM, the Happy Harmonies.

Schlesinger had sold the series to Warner Bros. with the prospect of selling their sheet music, and music would be an important part of both the Looney Tunes and Merrie Melodies until the end of the 1930s. Apart from the title song, one can hear ‘Forever Blowing Bubbles’ when Honey turns her bath tub into Bosko’s saxophone, making him blowing bubbles with his instrument.

Animated by Friz Freleng, ‘Sinkin’ in the Bathtub’ features Bosko, the star of ‘Bosko the Talk-ink Kid’, and Warner Bros.’ sole star from 1930 to 1933. Bosko invites his girlfriend Honey for a ride in his anthropomorphized car (which he finds on the toilet(!)). On their journey they experience problems with a cow and a steep hill. The ride ends in a pool.

The cartoon is well-animated and cheerful, but surprisingly boring at the same time, even though it lacks the endless song-and-dance-routines of contemporary Mickey Mouse cartoons. Bosko and his girl behave like Oswald and his girlfriend, and are only different in design, being clearly black stereotypes. They are totally devoid of any personality. In fact, Bosko would never develop one, and eventually it became even unclear what Bosko actually was, as exemplified by the following anecdote from Jack Zander, quoted by Leonard Maltin in ‘Of Mice and Magic’ (page 225):

One Day a porter at the studio said to young animator Jack Zander, “I want to ask you something about that character you’ve got. I know Mickey Mouse, and Krazy Kat, and Oswald the Rabbit… but Bosko the what?”

Watch ‘Sinkin’ in the Bathtub’ yourself and tell me what you think:

‘Sinkin’ in the Bathtub’ is available on the DVD ‘Looney Tunes Golden Collection Volume Three’ and on the Blu-Ray ‘Looney Tunes Platinum Collection: Volume 2’

Director: Unknown
Release Date: June 11, 1928
Stars: Oswald the Lucky Rabbit, Honey, Peg Leg Pete
Rating: ★★★★★
Review:

Sky Scrappers © Walt DisneyWhere ‘Oh, What a Knight‘ was a forerunner of ‘Ye Olden Days‘, ‘Sky Scrappers’ is the blueprint for the Mickey Mouse cartoon ‘Building a Building‘ (1933).

Like the later cartoon, ‘Sky Scrappers’ opens spectacularly with a fantastic opening shot zooming out of Oswald’s excavator. Both feature Honey/Minnie bringing Oswald/Mickey lunchboxes and Pete kidnapping Honey/Minnie. Like in ‘Oh What A Knight’ Honey is shown without her pants.

The opening shot shows a lot of animation cycles, effectively suggesting a lot of working on the building. There’s also a great perspective gag with Pete punching right into the camera. However, the most remarkably animation achievement is that of Oswald pulling up a heavy barrel. The idea of weight and muscle stretch is very convincing, and stands out amidst the more formulaic animation of the rest of the cartoon.

Watch ‘Sky Scrappers’ yourself and tell me what you think:

This is Oswald the Lucky Rabbit cartoon No. 21
To the previous Oswald the Lucky Rabbit cartoon: Oh, What A Knight
To the next Oswald the Lucky Rabbit cartoon: The Fox Chase

Director: Unknown
Release Date: May 28, 1928
Stars: Oswald the Lucky Rabbit, Honey, Peg Leg Pete
Rating: ★★★★½
Review:

Oh, What a Knight © Walt Disney‘Oh What A knight’ can be regarded as an early forerunner of the Mickey Mouse cartoon ‘Ye Olden Days‘ (1933).

Both shorts feature a medieval setting and both Oswald and Mickey are minstrels courting their love in a castle. However, where in ‘Ye Olden Days’ Goofy is the unlikely villain, Oswald’s opponent is Pete, who wears an anachronistic high hat.

Oswald serenades his sweetie Honey with an equally anachronistic accordeon. Soon, Oswald and Pete duel in grand adventure film-like manner, with Oswald kissing Honey between the fights. One scene in particular has beautifully animated shadows. In the final falling scene Honey loses her pants, and is shown naked. All characters are animated very flexibly: there’s a lot of stretching, falling apart etc.

‘Oh, What a Knight’ is a very entertaining entry in the Oswald the Lucky Rabbit series, and shows that Disney already went for high quality before the advent of Mickey.

Watch ‘Oh, What a Knight’ yourself and tell me what you think:

This is Oswald the Lucky Rabbit cartoon No. 20
To the previous Oswald the Lucky Rabbit cartoon: Hungry Hoboes
To the next Oswald the Lucky Rabbit cartoon: Sky Scrappers

Director: Unknown
Release Date: March 5, 1928
Stars: Oswald the Lucky Rabbit, Honey, Pete
Rating: ★★★★½
Review:

Rival Romeos © Walt DisneyIn this gag-packed cartoon Oswald and Pete compete over Honey, a female cat character, who was Oswald’s girlfriend in 1928.

Pete and Oswald both ride in their cars to her house in a scene looking forward to the early Mickey Mouse cartoon ‘The Barn Dance‘ from later that year. Oswald serenades her until a goat eats all his sheet music and even his banjo. Then he turns the animal into a hurdy gurdy, like Mickey would do later that year in ‘Steamboat Willie‘. When Pete arrives, he and Oswald fight over Honey, almost tearing her apart. Honey gives them the cold shoulder and leaves with a third guy into the distance. Then our rivals kick each other in remorse, like Donald Duck and Peter Pig would do six years later in ‘Wise Little Hen‘ (1934).

As you may notice, ‘Rival Romeos’ contains quite a lot of embryonic gags that Walt Disney would reuse later in other cartoons. Because of these prophetical gags ‘Rival Romeos’ is a highlight among Disney’s Oswald cartoons.

Watch ‘Rival Romeos’ yourself and tell me what you think:

This is Oswald the Lucky Rabbit cartoon No. 14
To the previous Oswald the Lucky Rabbit cartoon: Africa Before Dark
To the next Oswald the Lucky Rabbit cartoon: Bright Lights

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