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Director: Bill Nolan
Release Date: September 18, 1933
Stars: Oswald, Honey
Rating: ★★★★★
Review:

Five and Dime © Walter Lantz‘Five and Dime’ is a cartoon devoted to the 1931 hit song ‘ I Found A Million Dollar Baby’.

The short opens with Oswald being caught in a rainstorm (featuring the storm music from Gioachino Rossini’s overture William Tell). He rushes into a warehouse, where he sings ‘I Found A Million Dollar Baby’ for Honey, one of the employees.

‘Five and Dime’ is one of the most Merry Melodies-like Lantz cartoons: not only is it made around one hit song, it also features caricatures of Hollywood stars as dolls. Thus we watch caricatures of Charlie Chaplin, Laurel and Hardy and Jimmy Durante. The latter is a jack-in-the-box, just like he was in ‘Mickey’s Good Deed‘ from 1932. During the song there are numerous random gags, including one in which a goldfish swallows a complete cat. I suspect this particular gag was one by Tex Avery, who worked on this cartoon.

The finale of ‘Five and Dime’ is particularly noteworthy, as we watch Oswald and Honey march into and out of several stores to get dressed for their wedding, then in and out of a church to get married, and finally into their new home, on top of which the stork is already waiting… This sequence has great rhythm, enhanced by the joyful song, and is one of the best finales of any Walter Lantz cartoon.

Watch ‘Five and Dime’ yourself and tell me what you think:

‘Five and Dime’ is available on the DVD ‘The Woody Woodpecker and Friends Classic Cartoon Collection Volume 2’

 

Director: Tim Burton & Mike Johnson
Release Date: September 23, 2005
Rating: ★★★★
Review:

Tim Burton's Corpse Bride © Warner BrothersThe shy Victor and Victoria are forced by their unsympathetic parents to marry each other.

Luckily, they actually like each other, but then Victor accidentally marries the deceased Emily who takes him to a world underground, while Victoria is forced to marry the evil lord Barkis…

‘Corpse Bride’ is a typical Tim Burton film, especially in its art direction, in its 19th century, gothic setting, in its dark humor, and in its jolly portrait of death. Because the film is also a Danny Elfman-penned musical, it feels like a successor to ‘The Nightmare before Christmas’ (1993). Nevertheless, it is far more enjoyable than that sometimes tiresome film: ‘Corpse Bride’ features only three songs, two of which help to tell the story. So, even though one could do without the musical element, it doesn’t dominate the complete film.

Also, the art of ‘Corpse Bride’ is a great improvement on ‘Nightmare before Christmas’. The dull greys and blues of the living world contrast greatly with the vivid colors of the underworld, which is clearly more fun to ‘live’ in. The designs of the puppets are extreme, and their almost flawless animation is jawdroppingly rich and expressive. The story is lean, and focuses on the three protagonists, Victor, Victoria and Emily, who all three are very likable characters. The voice cast is impressive, and includes Johnny Depp (Victor), Emily Watson (Victoria), Helena Bonham Carter (Emily) and Christopher Lee (Pastor Gallswells).

All this make ‘Corpse Bride’, together with that other stop-motion film ‘Wallace and Gromit: the Curse of the Were-Rabbit‘, the best animated feature of 2005/2006, surpassing all computer animated films of those years. It proves that traditional animation is still viable and relevant in the computer age.

Watch the tailer for ‘Tim Burton’s Corpse Bride’ yourself and tell me what you think:

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