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Director: Friz Freleng
Release date: December 8, 1962
Stars: Bugs Bunny, Yosemite Sam
Rating: ★
Review:
In one of his last appearances (only two would follow in the classic era) Yosemite Sam is a cook for a king (who’s, I guess, a caricature of Charles Laughton, an actor already dead at the time).
Despite Yosemite Sam’s efforts the king is bored with what he’s offered and demands Hasenpfeffer, a dish unknown to Sam. He soon finds out, and happily Bugs Bunny comes along to borrow some carrots. What follows are some terribly unfunny routines, with too much dialogue and rather poor animation for a Warner Bros. cartoon.
Worst is the scene in which Bugs talks while laying in a large oven tray: in an obvious and unconvincing cheat only his head is animated, while his body remains perfectly still. I would expect that in a Hanna-Barbera television cartoon, not in a theatrical Warner Bros. cartoon.
Better than anything moving in this cartoon is the background art by Hawley Pratt (layouts) and Tom O’Loughlin (paintings)
Watch ‘Shishkabugs’ yourself and tell me what you think:
This is Bugs Bunny cartoon No. 158
To the previous Bugs Bunny cartoon: Bill of Hare
To the next Bugs Bunny cartoon: Devil’s Feud Cake
‘Shishkabugs’ is available on the Blu-Ray-set ‘Bugs Bunny 80th Anniversary Edition’
Directors: William Hanna & Joseph Barbera
Release Date: March 7, 1958
Stars: Tom & Jerry, Nibbles
Rating: ★★★
Review:
‘Royal Cat Nap’ was the last of four cartoons in which Tom & Jerry are musketeers in 17th century France.
In this cartoon the king is taking a nap, and Tom has to keep the king’s sleep undisturbed, otherwise he will be beheaded. Jerry and Little Nibbles, who, like earlier entries, speaks French in this cartoon, take advantage of the situation.
With this story the cartoon harks all the way back to Tom & Jerry’s debut ‘Puss Gets the Boot‘ (1940), and to ‘Quiet Please’ (1945) in particular, in which Spike poses Tom for the same problem. Two of the gags, however, are borrowed from Tex Avery’s Droopy cartoon ‘Deputy Droopy’ (1955), with Tom running to a far away hill to make the noise he can’t make in the king’s bed room.
Tom really gets into trouble when he has to scream, after he has locked all the doors himself, and swallowed the key. Luckily little Nibbles rescues Tom from certain death by lulling the king back to sleep, but outside the king’s bed room the fight continues.
‘Royal Cat Nap’ is no classic, but it shows that even in their last year at MGM Hanna & Barbera still had maintained their talent for comedy and timing. The heydays of Tom & Jerry were clearly over, but compared to most contemporary theatrical cartoons ‘Royal Cat Nap’ is surprisingly inspired and well-timed. The animation, too, is still of high value. This is partly because the 1957/1958 cartoons were made much earlier, in 1955 and 1956. Already in the Spring of 1957 MGM had closed his cartoon animation studio. By July Hanna & Barbera had founded their own production company, and by December 1957 they had launched their first television series, The Ruff and Reddy Show.
Watch ‘Royal Cat Nap’ yourself and tell me what you think:
https://www.dailymotion.com/video/x7bp9fe
This is Tom & Jerry cartoon No. 111
To the previous Tom & Jerry cartoon: Happy Go Ducky
To the next Tom & Jerry cartoon: The Vanishing Duck
‘Royal Cat Nap’ is available on the European DVD Box set ‘Tom and Jerry Collection’
Director: Olga Khodatayeva
Release Date: 1950
Rating: ★★★★
Review:
‘The Magic Windmill’ is one of the classic fairy-tale films produced by the Soviet Union in the 1950s.
In this short an old man, a cat and a cock are having trouble to feed all the animals who seek shelter at their place. Therefore they ask the mountain god for help, who gives them a magical little windmill, which produces endless amounts of breads out of of a few grains of corn. Unfortunately, rumor spreads, and soon the little windmill is stolen by a greedy king. But the cock flies to his palace and brings back the magical object, despite several attempts on his life.
‘The Magic Windmill’ is a gentle, if what overlong little film based on a Russian fairy-tale. It uses a naturalistic style, clearly influenced by Disney, with watercolor backgrounds, and a multiplane camera effect in its opening scene . The animal designs are an interesting mix of the Disney style and Russian illustration art. The animation, however, leaves a lot to desire. The animation of movement is awkward, with most characters moving in a slow, all too constant speed. The film uses dialogue in rhyme, but the lip synchronization with the characters is poor.
Despite these flaws, ‘The Magic Windmill’ is a film of great poetry, and one of the best of the Russian fairy tale films of the fifties. Indeed, director Khodatayeva was a veteran of soviet animation, having made films since the 1920s.
Watch ‘The Magic Windmill’ yourself and tell me what you think:
https://www.youtube.com/watch?v=LGg4mWRFjIc
Director: Władysław Starewicz
Release Date: 1922
Rating: ★★★★★
Review:
After the October revolution, Władysław Starewicz fled to France, where he continued to make stop motion films until his death in 1965. ‘The Frogs Who Wanted a King’ is the fourth film he made in France, and probably his most political.
The film is based on one of Aesop’s fables. Some frogs ask Jupiter for a king. Jupiter sends them one, but the king looks like a tree and does nothing at all. The frogs don’t like him, so Jupiter sends them a stork, who, naturally, eats the unfortunate amphibians.
The message may be that it’s better to have a dull government than one that kills you, a message Starewicz could certainly relate to, being forced to exile by the oppressing communist regime in Russia.
Once again, Starewicz’ animation is top notch. The film has a particularly fable-like character, taking place in its own, very convincing universe.
Watch ‘The Frogs Who Wanted a King’ yourself and tell me what you think:
Director: Ben Sharpsteen
Release Date: May 25, 1935
Rating: ★★½
Review:
Of all Silly Symphonies this one is particularly silly. The very idea of a cookie land is as original as it is looney.
Yet, the cartoon is literally sugary, not funny. The story, about a Charlie Chaplin-like tramp (voiced by Pinto Colvig) making a poor lonesome girl queen of the parade, is pure sentimental melodrama. Moreover, the characters speak in operetta-like recitatives and when the girl, having become queen, has to choose a king the cartoon shifts to a tiresome medley of song-and-dance-routines.
Nevertheless, the art direction of this Silly Symphony is stunning and its backgrounds lush and beautiful, making this one of the most impressive cartoons of the era. The girl is quite beautifully animated by Gram Natwick, the man who had created Betty Boop five years earlier, and who had joined Disney in 1934. After her transformation into a carnival queen, the girl doesn’t resemble a cookie at all, but she is pictured and animated as a real girl. Natwick would later be an animator on Snow White in ‘Snow White and the Seven Dwarfs’ (1937), and it’s as if the cookie girl was Natwick’s exercise for the real thing.
Notice the contrast between the sissy Angelic Cakes and the fun-loving Devil Cakes, whose theme music is jazz (the most ‘evil’ music of the era).
Watch ‘The Cookie Carnival’ yourself and tell me what you think:
This is Silly Symphony No. 53
To the previous Silly Symphony: Water Babies
To the next Silly Symphony: Who Killed Cock Robin?
Dr. Grob's Animation Review 