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Director: Émile Cohl
Release Date: April 24, 1909
Rating: ★★★
Review:

Clair de lune espagnol © Émile Cohl‘Clair de lune espagnol’ is a bizarre live action movie about a toreador who wants to commit suicide.

When he’s about to jump, the toreador gets caught by an airship and is taken to the moon, which he wounds with a rifle. The celestial creatures then punish him and throw him back to earth, where he’s reunited with his love.

The film has a strange, rather surreal atmosphere, but lacks real wit. Highlight is the scene with the man and the moon, which uses quite some animation on the moon, whose face changes repeatedly.

Watch ‘Clair de lune espagnol’ yourself and tell me what you think:

‘Clair de lune espagnol’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’

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Director: Walt Disney
Release Date: September 7, 1929
Rating: ★★★
Review:

Still from 'El Terrible Toreador'featuring the bull and the toreador‘El Terrible Toreador’ is the second entry of the Silly Symphonies. It has been far lesser known than the first, ‘The Skeleton Dance‘, which is no surprise, because it contains none of the ingredients which made ‘The Skeleton Dance’ a classic: there’s no interesting mood, no spectacular animation, and there are hardly any funny gags.

Unlike the other early Silly Symphonies, ‘El Terrible Toreador’ is more silly than symphony-like. That is: it’s more of a ‘story’ consisting of silly gags than the song-and-dance-routine typical of the Silly Symphonies up to 1931.

The cartoon consists of two parts: in the first part we watch a Spanish canteen, where a large officer and a toreador are  fighting for the love of a waitress. In the second part, the toreador is fighting and dancing with a bull in the arena. Surprisingly, the story of the first part is hardly developed here: the cartoon ends when the toreador has pulled the bull inside out, thus ending the fight.

‘El Terrible Toreador’ is notable for being Disney’s first attempt at the human form since the early 1920s. However, the humans are a far cry from ‘Snow White and the Seven Dwarfs’ from (only) eight years later. In this early cartoon the human characters are extraordinarily flexible and they do not move lifelike at all (I noticed I thought of them as bugs some of the time).

The most interesting feature of this short is Carl Stalling’s score. His music already bears his signature and contains many citations from ‘Carmen’ by Georges Bizet.

Watch ‘El Terrible Toreador’  yourself and tell me what you think:

This is Silly Symphony No. 2
To the previous Silly Symphony: The Skeleton Dance
To the next Silly Symphony: Springtime

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