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Director: UrumaDelvi
Release Date: 2005
Rating: ★★★★★
Review:

(A Long Day for) Mr. Calpaccio © UrumaDelvi‘(A Long Day for) Mr. Calpaccio’ does not have much of a story: Mr. Calpaccio goes to work, even flies to another place to work there, and returns home to do some shopping and outdoor eating with his family. That’s about it.

But boy, the looks of this cartoon! ‘(A Long Day for) Mr. Calpaccio’ boasts a completely unique style, with circus-like designs with stark black and white contrasts, and no shading whatsoever. There’s a very strange mix of expressionism and genuine silliness. The cartoon simply bubbles with weird images and original animation cycles, to a psychedelic effect. The bubbly images are accompanied by a fitting circus-like musical score by Yoshiyuki Usui.

The world of Mr. Calpaccio, its dull subject notwithstanding, is a magical place, a place of wonder. And this little gem by UrumaDelvi (a rather mysterious Japanese couple) by all means deserves to be seen. It’s a pity the film cannot be found online.

‘(A Long Day for) Mr. Calpaccio’ is available on the Belgian DVD ‘Kleine helden & rare kwasten – 14 animatiefilms voor kinderen’

Director: Tim Burton & Mike Johnson
Release Date: September 23, 2005
Rating: ★★★★
Review:

Tim Burton's Corpse Bride © Warner BrothersThe shy Victor and Victoria are forced by their unsympathetic parents to marry each other.

Luckily, they actually like each other, but then Victor accidentally marries the deceased Emily who takes him to a world underground, while Victoria is forced to marry the evil lord Barkis…

‘Corpse Bride’ is a typical Tim Burton film, especially in its art direction, in its 19th century, gothic setting, in its dark humor, and in its jolly portrait of death. Because the film is also a Danny Elfman-penned musical, it feels like a successor to ‘The Nightmare before Christmas’ (1993). Nevertheless, it is far more enjoyable than that sometimes tiresome film: ‘Corpse Bride’ features only three songs, two of which help to tell the story. So, even though one could do without the musical element, it doesn’t dominate the complete film.

Also, the art of ‘Corpse Bride’ is a great improvement on ‘Nightmare before Christmas’. The dull greys and blues of the living world contrast greatly with the vivid colors of the underworld, which is clearly more fun to ‘live’ in. The designs of the puppets are extreme, and their almost flawless animation is jawdroppingly rich and expressive. The story is lean, and focuses on the three protagonists, Victor, Victoria and Emily, who all three are very likable characters. The voice cast is impressive, and includes Johnny Depp (Victor), Emily Watson (Victoria), Helena Bonham Carter (Emily) and Christopher Lee (Pastor Gallswells).

All this make ‘Corpse Bride’, together with that other stop-motion film ‘Wallace and Gromit: the Curse of the Were-Rabbit‘, the best animated feature of 2005/2006, surpassing all computer animated films of those years. It proves that traditional animation is still viable and relevant in the computer age.

Watch the tailer for ‘Tim Burton’s Corpse Bride’ yourself and tell me what you think:

Directors: Nick Park & Steve Box
Release Date: September 4, 2005
Stars: Wallace & Gromit
Rating: ★★★★★
Review:

Wallace & Gromit - The Curse of the Were-Rabbit © AardmanAfter three excellent two-reelers British animation heroes Wallace and Gromit were ready for their first feature film.

‘The Curse of the Were-Rabbit’ elaborates primarily on the themes of ‘A Close Shave’: love and horror. This time Wallace and Gromit are after a giant rabbit threatening the crops breeds for a vegetable contest in the village.

The stop motion animation in this film is practically flawless, elevating the century old technique to the highest standards possible. Indeed, both this film and ‘Tim Burton’s Corpse Bride‘, another stop motion film, were far superior to any computer animated feature film released in 2005 or 2006.

‘The Curse of the Were-Rabbit’ is not only a great animation film, it is great cinema, with excellent camera work, a flawless story, wonderful characterization and lean storytelling that builds to a spectacular climax. Especially the animation of Gromit is stunning, because his acting is completely silent throughout the picture and uses only the eyes to suggest emotion.

Watch ‘Wallace & Gromit: The Curse of the Were-Rabbit’ yourself and tell me what you think:

Directors: Kaspar Jancis, Ülo Pikkov & Priit Tender
Release Date: March 25, 2005
Rating: ★★★½
Review:

Frank & Wendy © Eesti JoonisfilmProbably one of the weirdest animated features ever made, Frank & Wendy belongs to the most commercial films ever produced by the Eesti Joonis film studios.

It features plenty of action, loud rock music, and a weird sense of humor, while it lacks the disturbing qualities of earlier films produced in this studio. Despite clearly being pure entertainment, it nonetheless retains the strong absurdism and surrealism typical for the Eesti Joonis studio, thanks to the screenplays and storyboards by Estonian animation master Priit Pärn. Frank & Wendy was originally conceived as a television series, and the feature has retained its episodic character, being divided into seven rather unrelated episodes.

Frank and Wendy are American FBI agents living in Estonia, saving the world from the most bizarre evil schemes, like a fast food chain selling hamburgers, which transmit a hunger message, and an amusement park designed to let live polar bears eat American elderly tourists. Also featured are politicians Vladimir Putin and Tony Blair, while several characters from other Eesti Joonisfilms have a cameo. The plots are very hard to re-tell and make even less sense on paper than on the screen.

Frank & Wendy is an entertaining movie, but due to its lack of plot and its episodic nature, watching it becomes a bit tiresome. In the end it fails to be a masterpiece.

Watch an excerpt from ‘Frank & Wendy’ yourself and tell me what you think:

Director: Chris Wedge
Release Date: March 11, 2005
Rating: ★★½
Review:

Robots © Blue Sky2005 was to be the first weak year in the history of computer animated features. This was a year in which no films were made that felt as if they were better than the last ones.

In fact, both Blue Sky’s ‘Robots’ and Dreamworks’s ‘Madagascar’ are mediocre in the whole catalog of computer animation. Surprisingly, the two most interesting features of 2005 were stop motion films: Aardman’s ‘Wallace and Gromit and the Curse of the Were-Rabbit‘ and Warner Brothers’ ‘Tim Burton’s Corpse Bride‘. This age-old technique defeated the modernity of computer animation, as both films topped the computer animated features in originality and consistency of story and design.

‘Robots’ is unfortunately typical for the regression in the computer animated field. First the animation: the robots are a good excuse for rather jerky motions, and its colorful setting never feels real. This setting is similar to that of ‘Monsters, Inc.‘ (2001): a totally different world, this time inhabited with robots, which at the same time is an exact copy of our own modern urban world. Also, main protagonist Rodney’s arrival in Robot City is very reminiscent of a similar scene in ‘A Bug’s Life’ (1998), and the all too obligatory ‘follow your dream’ story line had already become stale by 2005, too. In all, the film’s story is much more standard than its exotic setting would suggest.

Blue Sky’s storytelling is also very inconsistent and has many flaws in its timing. For example, the big finale never pays off and his topped by a very cloying ending. Worse, Rodney has no less than two love interests, one of which is suddenly dropped, while the love between him and Cappy, the other, is hardly shown. In effect it seems non-existent. Then there are way too many side characters, none of which is well-developed. Most of them are wise-crackers, who place their one-liners in a nasty, unpleasant way. Robin Williams’s character Fender is as tiresome as his genie was delightful in ‘Aladdin’ (1992). Even Rodney’s hero Bigwald is unappealing in his first scene. And it remains unclear why he has retreated in the first place.

All these flaws are such a pity, for one can feel the great joy in the making of ‘Robots’, especially in the transport sequence, where Rodney and Fender are travelling in a giant Rube Goldberg machine. This scene, although unimportant to the story, is the highlight of this otherwise very disappointing film.

Unfortunately, 2006 would be hardly better, with Blue Sky’s weak  ‘Ice Age 2: The Meltdown’, and the entertaining, but a little too routine films ‘Over The Hedge‘, ‘Flushed Away’ (Dreamworks) and ‘Open Season‘ (Sony’s debut in the field). Even Pixar would release its then weakest picture with ‘Cars’…

Watch the trailer for ‘Robots’ yourself and tell me what you think:

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