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Director: Sam Stephens & Christopher Mauch
Release Date: May 2013
Rating: ★★★
Review:

Tumbleweed Tango © Sam Stephens & Christopher Mauch‘Tumbleweed Tango’ is a charming little film about two balloon dogs falling in love in a menacing desert full of prickly cacti. The two dance a romantic tango, and together transform into a large bird, escaping the threatening cacti world. 

‘Tumbleweed Tango’ is a virtuoso computer animation film, full of swooping camera takes, elaborate landscapes, and convincing animation on the two balloon dogs. Even their metamorphosis into the balloon bird is believable.

Watch ‘Tumbleweed Tango’ yourself and tell me what you think:

Director: Ruth Lingford
Release Date: 1997
Rating: ★★★★★ ♕
Review:

Death and the Mother © Ruth LingfordWhen death takes away her child, a mother gives up everything to get her back.

‘Death and the Mother’ is Ruth Lingford’s re-telling of a classic fairy-tale by Hans Christian Andersen. It’s an animation masterpiece: its strong and gritty animation, the beautiful string quartet music by Nigel Broadbent, the subtle sound effects –  all add up to a very strong, dark and emotional film. Lingford makes clever use of the computer to create a very graphic film that looks like an animated woodcut. In an age in which computer animation almost equals 3D animation, this is a refreshing technique, with a stark impact and an imagery unparalleled in the animation field.

Moreover, Lingford captures Andersen’s tale of grief, love and sacrifice very well, without trying to update it. Just by staying true to the essence of the original story she has made a timeless classic. Her wordless film is as universal as it can get, and capable of communicating to audiences worldwide. It’s a welcome antidote to the Disney fairy tale retellings, which get more and more watered down, and which lose a lot of the originals’ charm with it.

Watch ‘Death and the mother’ yourself and tell me what you think:

‘Death and the Mother’ is available on the DVD inside the book ‘Animation Now!’

Director: Chris Wedge
Release Date: 1998
Rating: ★★★★½
Review:

Bunny © Blue SkyAn elderly bunny tries to bake a cake, when she’s being disturbed by a giant moth.

After a wild chase the moth falls into the cake mix and she angrily bakes the insect with it. At this point the film takes a remarkable turn…

With Pixar’s ‘Geri’s Game’ (1997), ‘Bunny’ is one of the first computer animated shorts that make you forget you’re watching a computer animated film. With its quite original story and its beautiful execution, it transcends the medium, and its deservedly won the Oscar for best animated short in 1998.

Chris Wedge and his Blue Sky studio (founded in 1987, by Tron-alumni) later moved on to produce feature length computer-animated films, becoming the fourth American studio to do so, after Pixar, PDI/Dreamworks and DNA Productions. It would be especially successful with its Ice Age films. However, none of the sequential Blue Sky films would reach the emotional depths of this gentle little short.

Watch ‘Bunny’ yourself and tell me what you think:

‘Bunny’ is available on the DVD ‘Ice Age’

Director: Nick Mackie
Release Date: 1999
Rating: ★★
Review:

Minotaur & Little Nerkin © Aardman‘Minotaur & Little Nerkin’ is a curious 2d computer animation, which looks like it is designed for children.

However, its story is rather black. The film features a minotaur who lurks a duck into his home to eat a captivated human hand, only in order to eat the duck himself. Remarkable for its morbid humor and original technique, it is nonetheless an ugly and unfunny film, that fails to entertain, let alone impress the viewer.

Watch ‘Minotaur & Little Nerkin’ yourself and tell me what you think:

‘Minotaur & Little Nerkin’ is available on the DVD ‘Aardman Classics’

Director: Mark Brierley
Release Date: 1998
Rating: ★
Review:

Al dente © Aardman‘Al dente’ is another film by computer animation pioneer at Aardman, Mark Brierley.

This short film looks even more primitive than ‘Owzat’ from the previous year. It doesn’t feature any backgrounds of notice, and the main character, a grumpy waiter who has to serve a vegetarian meal at a meat restaurant, looks primitive and unimaginative. The film is utterly mediocre and, like ‘Owzat’, probably would never have been released were it not an Aardman production.

Watch ‘Al dente’ yourself and tell me what you think:

‘Al dente’ is available on the DVD ‘Aardman Classics’

Director: Mark Brierley
Release Date: 1997
Rating: ★
Review:

Owzat © AardmanIn a graveyard a skeleton plays cricket with some unwilling ghosts.

‘Owzat’ is Aardman’s first endeavor into computer animation and it pales when compared to Pixar films from the same period. The designs look hopelessly primitive, the animation is stiff and the colors are rather ugly. As the film is quite incomprehensible, slow and unfunny, one wonders why it was made in the first place. It looks like a study, and it probably wouldn’t have been released if it had not been an Aardman production.

Watch ‘Owzat’ yourself and tell me what you think:

‘Owzat’ is available on the DVD ‘Aardman Classics’

Director: Pete Doctor
Release Date: November 2, 2001
Rating: ★★★★★
Review:

Monsters, Inc. © PixarPixar’s fourth film can be considered the studio’s best up to that point.

The very idea of monsters needing to scare children to fuel their city is a masterstroke. As is their mutual fright for children. The idea of closet doors leading to a parallel world is used to the max, especially in the breathtaking finale, whose premise is both logical to the plot as strikingly original and totally unexpected. Nothing to the story is predictable, and its lead characters Sully, Mike and Boo and their nemesis, the slithery Randall, are very well developed.

The only two lesser points may be Monstropolis itself, which is a surprisingly unimaginative copy of an average American town, and the film’s humor. Compared to Dreamworks’s ‘Shrek’, released earlier that year, Monsters, Inc.’s humor is rather mild. It heads for steady smiles, not for loud guffaws. Moreover, the loudmouth comic sidekick, the green eyeball Mike (voiced by Billy Crystal), never really gets convincingly funny or very sympathetic, and he pales compared to Eddie Murphy’s Donkey in ‘Shrek’.

No, the main selling point of Monsters Inc. is heart: the endearing ‘love story’ between top scare Sully and the little child Boo is completely convincing. This makes ‘Monsters, Inc.’, apart from being startlingly original, a sweet film. One that is able to move you time and time again.

Besides, ‘Monsters, Inc.’ displays some spectacular effect animation, the highlight being Sully laying in the snow, with his hair blowing in the blizzard, something unseen up to that point.

In 2013 ‘Monsters, Inc.’ fell prey to Hollywood’s sequel mania ,spawning the prequel ‘Monster University’.

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