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Director: Émile Cohl
Release Date:  July 27, 1913
Rating:
Review:

He Poses for his Portrait © Éclair New York‘He Poses for his Portrait’ is the second of only two surviving Newlyweds cartoons Émile Cohl made in the United States.

Like ‘Zozor ruine la réputation de sa famille‘ the film is based on the comic strip by George McManus, and the film is essentially an animated comic strip, with text balloons playing the most important part in telling the story.

In ‘He Poses for his Portrait’ a couple wants to have a picture painted of their little baby. Unfortunately, the brat drives the painter mad. As in ‘Zozor ruine la réputation de sa famille’ there’s hardly any animation, resulting in a pretty static and remarkably boring film. By all means, Cohl’s animated comic strips should be regarded as a failure, and belong to the weakest films in his enormous output, despite their success at the time. If anything, the series demonstrated that one needed little animation to please an audience, a message which several studios would take at heart in the decades afterwards.

Watch ‘He Poses for his Portrait’ yourself and tell me what you think:

‘He Poses for his Portrait’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’

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Director: Émile Cohl
Release Date:  1912
Rating:
Review:

Zozor ruine la réputation de sa famille © Éclair New YorkAfter his move to the United States in 1912 Émile Cohl starting experimenting with putting the idiom of comic strips to the animated screen, being the first person to do so.

Cohl used ‘The Newlyweds’ my comic artist George McManus as the source for his new series, and the resulting films form not only the first animated series, but also the first pictures that could be titled animated cartoons.

This could have been a milestone in animated cinema, but unfortunately, the result is appalling: apart from the metamorphosis with which Cohl bridges scenes, there’s no animation at all, resulting in extremely static images. The text balloons fill the whole screen, more often than not obscuring complete personages.

Without the text balloons, there’s no story to follow. The result is that this is probably the first film suffering from too much dialogue, despite being silent!

Despite all its flaws, the Newlyweds films were a success, and Cohl made several of these pictures, of which only two survive: this one, ‘Zozor ruine la réputation de sa famille’, and ‘He Poses for his Portrait‘ (also known as ‘Le Portrait de Zozor’).

Watch ‘Zozor ruine la réputation de sa famille’ yourself and tell me what you think:

 

‘Zozor ruine la réputation de sa famille’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’

Director: Émile Cohl
Release Date:  May 4, 1913
Rating: ★★
Review:

Bewitched Matches © Éclair New YorkAfter short stints at Pathé and Eclipse Cohl sailed to the United States to join Éclair New York.

‘Bewitched Matches’ is one of the few films Cohl made in the United States before sailing back again to France in 1914.

‘Bewitched Matches’ has a rather zany fairy tale plot of a witch visiting three daughters. When their father chases the witch out of his house, the witch bewitches the matches. This leads to a long animation sequence in which the matches form images of a horse, crosses, a windmill, the American flag, a pipe smoking man, a radiant sun, an acrobat on the tightrope and a skeleton.

Neither the framing story nor the animated part is too interesting, and ‘Bewitched Matches’ should be regarded as one of Cohl’s lesser inspired films.

‘Bewitched Matches’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’

 

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