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Director: J.R. Bray
Release Date: June 12, 1913
Stars: J.R. Bray
Rating: ★★★★

The Artist's Dream © J.R. BrayJ.R. Bray is the father of the cartoon industry, but this short is from a period in which J.R. Bray was still a lone artist, like other animation pioneers as J. Stuart Blackton, Émile Cohl and Winsor McCay.

In fact, ‘The Artist’s Dream’ is only J.R. Bray’s second attempt at animation, and the film is still rooted in the drawings come to life tradition of the earliest animated films.

Bray plays an artist drawing a dachshund and a sausage. While he’s away the dachshund eats the sausage, and later another till he explodes. Of course, all has been a dream, which clearly shows the strong influence of Winsor McCay’s dreams of the rarebit fiend.

‘The Artist’s Dream’ shows Bray’s extraordinary drawing skills, as his drawings are very clear and contain elegant shading. His handling of perspective is perfect and no less than McCay’s. The animation, on the other hand, is less fluent than McCay’s, if still of a remarkably high quality. Unfortunately, he would not transfer this level of art to his later studio films.

Watch ‘The Artist’s Dream’ yourself and tell me what you think:

‘The Artist’s Dream’ is available on the DVD & Blu-Ray-set ‘Cartoon Roots: The Bray Studios Animation Pioneers’

Director: Émile Cohl
Release Date:  July 27, 1913
Rating:
Review:

He Poses for his Portrait © Éclair New York‘He Poses for his Portrait’ is the second of only two surviving Newlyweds cartoons Émile Cohl made in the United States.

Like ‘Zozor ruine la réputation de sa famille‘ the film is based on the comic strip by George McManus, and the film is essentially an animated comic strip, with text balloons playing the most important part in telling the story.

In ‘He Poses for his Portrait’ a couple wants to have a picture painted of their little baby. Unfortunately, the brat drives the painter mad. As in ‘Zozor ruine la réputation de sa famille’ there’s hardly any animation, resulting in a pretty static and remarkably boring film. By all means, Cohl’s animated comic strips should be regarded as a failure, and belong to the weakest films in his enormous output, despite their success at the time. If anything, the series demonstrated that one needed little animation to please an audience, a message which several studios would take at heart in the decades afterwards.

Watch ‘He Poses for his Portrait’ yourself and tell me what you think:

‘He Poses for his Portrait’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’

Director: Émile Cohl
Release Date:  May 4, 1913
Rating: ★★
Review:

Bewitched Matches © Éclair New YorkAfter short stints at Pathé and Eclipse Cohl sailed to the United States to join Éclair New York.

‘Bewitched Matches’ is one of the few films Cohl made in the United States before sailing back again to France in 1914.

‘Bewitched Matches’ has a rather zany fairy tale plot of a witch visiting three daughters. When their father chases the witch out of his house, the witch bewitches the matches. This leads to a long animation sequence in which the matches form images of a horse, crosses, a windmill, the American flag, a pipe smoking man, a radiant sun, an acrobat on the tightrope and a skeleton.

Neither the framing story nor the animated part is too interesting, and ‘Bewitched Matches’ should be regarded as one of Cohl’s lesser inspired films.

‘Bewitched Matches’ is available on the DVDs ‘Émile Cohl – L’agitateur aux mille images’

 

Director: Władysław Starewicz
Release Date: 1913
Rating: ★★★½
Review:

The Insects' Christmas © Ladislav Starewicz‘The Insects’ Christmas’ is Starewicz’s next film after his masterpiece ‘The Cameraman’s Revenge‘.

Although the short uses insects again, it’s a whole different film, turning to the sweet subject of Christmas. It’s probably the first animated film about Christmas ever made.

The plot is surprisingly simple: Father Christmas climbs down a Christmas tree, awakes some insects and a frog, who are hibernating underground, and he invites them to a Christmas party. He gives them presents and they all go skiing and skating.

This film’s story cannot be compared to the mature plot of ‘The Cameraman’s revenge‘. It’s more like a child’s dream of Christmas. The film reuses puppets from ‘The Cameraman’s Revenge’ and others, and even though the animation is less engaging than in Starewicz’s earlier film, it is still of a stunning virtuosity, making the result still a delight to watch. Note, for example, the illusion of wind in the animation of Father Christmas’s coat.

Watch ‘The Insects’ Christmas’ yourself and tell me what you think:

‘The Insects’ Christmas’ is available on the DVD ‘The Cameraman’s Revenge & other Fantastic Tales’

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