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Director: Bobe Cannon
Release Date: November 29, 1951
Rating: ★★★★

The Wonder Gloves © UPA‘The Wonder Gloves’ is one of the more extreme films by the UPA studio: the characters have an extraordinarily thick outline, and Paul Julian’s backgrounds are minimal and very graphic, indeed, using photographic material to indicate textures.

Moreover, the animation is limited, sometimes no more than several poses without movement inbetween. Lou Maury’s music, too, is strikingly modern, more reminiscent of contemporary French music than of classic cartoon music.

In the cartoon Uncle George tells his nephew how he found yellow wonder boxing gloves with which he became a star boxer. The framing story uses dialogue, but Uncle George’s story is told in pantomime.

Unfortunately, the story is less interesting than the designs of the cartoon. At points the limited animation hampers a fluent telling instead of enhancing it.

Watch ‘The Wonder Gloves’ yourself and tell me what you think:

Director: Friz Freleng
Release Date:
 October 7, 1950
 Tweety & Sylvester, Granny

Canary Row © Warner Brothers‘Canary Row’ has absolutely nothing to do with John Steinbeck’s novel ‘Cannery Row’.

Instead, it is the sixth Tweety and Sylvester cartoon, and the first to feature Granny as Tweety’s owner. In this short Sylvester tries to capture Tweety, who lives in on a top floor in a hotel in which no cats are allowed. But Tweety and his owner Granny give Sylvester a hard time.

The takes on Sylvester are superb: he’s well animated and his gags are excellently timed, showing Freleng’s craftsmanship. However, Tweety and Granny are hardly as funny, and their appearances wear the comedy down.

If not necessarily for its comedy,’Canary Row’ is noteworthy for its beautiful urban backgrounds, painted by Paul Julian, who would soon join UPA to elevate his background art to even greater heights.

Watch ‘Canary Row’ yourself and tell me what you think:

‘Canary Row’ is available on the DVD set ‘Looney Tunes Golden Collection, Vol. 1’

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