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Director: Walt Dohm
Release date: April 10, 2020
Rating: ★★
Review:
Dreamworks’ 2016 Film ‘Trolls’ was a bit of a surprise, given the fact that it was based on a pretty ugly Danish toy line from the 1950s. Despite its lackluster origins, the film was an unforeseen outburst of color, textures and music, even spawning a major hit (‘Can’t Stop the Feeling!’) for Justin Timberlake, who voiced Branch, one of the main characters.
‘Trolls’ nevertheless was nothing remarkable storywise, but compared to its successor, ‘Trolls World Tour’ still by far the more interesting movie. ‘Trolls World Tour’ is even more colorful and more tactile than its predecessor, but its plot is disappointingly lazy, conventional, and frustratingly inconsistent (more of which, later).
There are even two obligate breakup scenes, neither of which makes sense, and the film’s obvious morale is even explained to us by Poppy at the very end. What do they think at Dreamworks? That their public consists of complete morons? Even a six-year-old could have distilled the message from the story. There’s a pinky promise, which is introduced with much bravado, but which remains inconsequential, after all. At one point Branch convinces the villains to side with him, but we don’t even see how he manages to do that.
These are just a few examples of an annoying lack of storytelling skills demonstrated in the movie.
In fact, problems already start with the film’s premise: ‘Trolls World Tour’ throws the world building of the original movie completely overboard to install a new one, in which there are five more troll kingdoms, all based on a major music genre. Given the wide range of music that exists in the world, the idea of a mere six kingdoms is absurd to begin with, but soon becomes apparent that this world building is not only incomplete, it’s highly inconsistent.
Of all genres imaginable, especially jazz is painfully lacking, only represented by one character exemplifying ‘smooth jazz’, while all world genres are diminished to three sets of isolated characters, representing K-pop, reggaeton, and… yodeling. Now, as a Dutchman, I was pleasantly surprised that the yodeling featured came from the hard rocking seventies hit ‘Hocus Pocus’ by Dutch group Focus, but otherwise, frankly, it makes no sense. Why do these characters lack a kingdom of their own? Why did they become bounty hunters (for that’s what they are)? What of all other genres imaginable? Where are those trolls?
The major genres in the other kingdoms hardly fare better than jazz however: classical music is represented by 18th- 19th century orchestral music only, funk and hiphop are merged as if it were one genre, and the dance depicted is of the poppiest sort imaginable. Rock, meanwhile, looks mostly like an evil metal kingdom, led by a punky princess, whose story ark (she has no real friends) is both forced and neglected. I liked country land, led by a Kelly Clarkson voiced character, most, especially because the textile background art was most apparent in this world.
For this background art is the real star of the movie: all troll landscapes are made of textiles, even the water at the edge of a pond has a frayed edge. While yawning at all the obligate antics of the characters, these background images kept me smiling and in admiration throughout the picture.
But of course, background art cannot save a film with such a weak story as ‘Trolls World Tour’ has, and the end result simply is subpar. It’s a shame, for obviously, a lot of talent has been wasted on this picture, not least the great music stars like Anderson .Paak, George Clinton, Mary J. Blige, and Ozzy Osbourne who have lent their voice to this lackluster product. And let’s not forget the animation talent. For example, when Poppy realizes she might not have been a good queen after all, this is a piece of excellent character animation, but we don’t care, nonetheless, because the emotion is forced into the plot, and has no logical place in the narrative. ‘Trolls World Tour’ is full of such moments and can best be quickly forgotten.
Watch the trailer for ‘Trolls World Tour’ yourself and tell me what you think:
‘Trolls World Tour’ is available on Blu-Ray and DVD
Director: Otto Messmer
Release date: October, 1919
Stars: Charlie Chaplin
Rating: ★★
Review:
‘Charley at the Circus’ is an entry in Pat Sullivan’s Charlie Chaplin animated cartoon series.
As the title implies, the complete film takes place in a circus, and involves gags with Kewpie the Strong Woman, Mitzi the fat lady, a flea circus and a bearded lady, and Pauline the noseless goat. Notice the throwaway gag on the upcoming prohibition.
As with the other Charlie Chaplin shorts, the animation is crude and stiff, but at least this film profits from a running gag of a heavy guy chasing Charlie Chaplin. Nevertheless, there is no hint of greatness in this cartoon, and it’s clear that animator Otto Messmer still had to find his vibe.
‘Charley at the Circus’ is available on the Blu-Ray ‘Cartoon Roots: Otto Messmer’s Feline Follies’
Director: Masaaki Yuasa
Release date: June 10, 2019
Rating: ★★
Review:
One of the most interesting animation directors to come from Japan is Masaaki Yuasa. He brought us very idiosyncratic movies as ‘Mindgame’ (2004) and ‘Night Is Short, Walk on Girl’ (2017). Both features have striking visuals that make them stand out within the vast anime canon.
‘Ride Your Wave’, Yuasa’s feature film from 2019, is remarkably normal compared to these earlier features. True, the human designs are strangely elongated, there are some distorted shots, and strange perspectives, and the color designs are brighter than usual in anime, but the background art is much more standard anime fare. The story, too, has nothing of the mind-blowing qualities of the earlier features. In fact, ‘Ride Your Wave’ is a disappointingly normal love story with a supernatural element, an almost obligate story ingredient in Japanese feature animation.
‘Ride Your Wave’ tells about a surfing girl who falls in love with a fire fighting boy, but then disaster strikes… Yuasa uses standard montage techniques to tell of the lovers’ bliss, and equally standard flashback techniques and repetitions of what people had said to make his message come across. This makes the film all too explanatory and heavy-handied. In fact, there’s little to enjoy in ‘Ride Your Wave’ besides the designs and some shots, and the film doesn’t rise above the standard fare. From Yuasa we certainly expect better…
Watch the trailer of ‘Ride Your Wave’ yourself and tell me what you think:
‘Ride Your Wave’ is available on Blu-Ray and DVD
Director: Makoto Shinkai
Release date: July 19, 2019
Rating: ★★
Review:
In 2016 Makoto Shinkai rightfully scored a huge hit with his feature film ‘Your Name’. This film’s successor, ‘Weathering with You’ from 2019, unfortunately isn’t half as good.
Like ‘Your Name’ the film is well made, sporting intricate background art, beautiful lighting and fine animation, if not particularly outstanding. But the story, with its high level of spiritualism and its bizarre ending, leaves much to be desired, not in the least because it overstretches its own believability. This already starts with the film’s premise: that Tokyo has been shrouded in rain for months, without any chance of the sun. In this depressing environment there is Hina, a girl who is able to pray for the sun, if only briefly and only locally…
But Hina is not the main protagonist of the film and even remains pretty enigmatic throughout. This is reserved for Hodaka, an sixteen years old boy who has run from home and tries to find his luck in Tokyo, only to discover that this is quite hard without having the legal age to work or a proper identity card. Hodaka is the narrator of the story, and we largely watch the events through his eyes.
Perhaps because the story tells about teenagers the emotions run free in this film, and these are at times quite overblown. One almost rejoices when reality finally checks in with the youngsters’ fantasy life.
Much happens during the course of the film, but little of it makes sense, least of all the aftermath, in which Tokyo is flooded after all. I can’t make head or tail of Shinkai’s tale or his message, and I was for most of the time quite bored. This of course left ample time to admire the background art, but these beautiful sceneries can’t save a film that succumbs under its own pretentions.
Watch the trailer of ‘Weathering with You’ yourself and tell me what you think:
‘Weathering with You’ is available on Blu-Ray and DVD
Director: Walerian Borowczyk
Release date: 1962
Rating: ★★
Review:
‘Concert’ stars Monsieur and Madame Kabal from the later feature film ‘Théâtre de Monsieur & Madame Kabal’ from 1967. This couple, a short man who constantly drinks and a grotesque tall woman with a hooked nose, are known for their domestic violence, and ‘Concert’ is no exception. When Madame Kabal catches Monsieur Kabal snoring through her piano recital her revenge is severe.
Unfortunately, Borowczyk’s cut-out animation is crude and emblematic, and even the violence is rather abstract. Even worse, a lot of time is wasted on less interesting scenes. Moreover, Monsieur and Madame Kabal are neither interesting or appealing characters and Borowcyk does nothing to establish their relationship. Thus, it doesn’t interest the viewer at all what happens to them on the screen, a problem that also haunts Borowczyk’s feature animation film.
Luckily, the next year Borowczyk would prove he could do much better with ‘Encyclopédie de Grand-Maman en 13 Volumes ‘ and especially the dark stop-motion short ‘Renaissance‘.
Watch ‘Concert’ yourself and tell me what you think:
‘Concert’ is available on the Blu-Ray/DVD set ‘Walerian Borowczyk: Short Films and Animation’
Directors: William Hanna & Joseph Barbera
Airing date: April 5, 1963
Stars: The Flintstones
Rating: ★★
Review:
In ‘The Birthday Party’ Wilma organizes a surprise party for Fred at Barney’s and Betty’s house. Barney is to stall Fred until everything is ready, but he does his job a little too good.
‘The Birthday Party’ wraps off the third season of ‘The Flintstones’. Unfortunately, this last episode feels like a letdown after the great continuity of the coming of Pebbles. Small Pebbles isn’t even in sight. But worse, ‘The Birthday Party’ belongs to the more cartoony Flintstones episodes, high on slapstick and low on more sophisticated types of comedy.
After Fred returns home, the episode starts to drag considerably, and the end scene is anything but funny. Particularly annoying are no less than five talking tool animals, all having incredibly lame lines: a kitchen knife lizard, a shaving brush bird, a car horn bird, a golf cart Ceratopsian and a balloon pump bird.
Despite all the slapstick mayhem, the episode’s most enjoyable scene is that of all Fred’s friends waiting in the dark at Barney’s and Betty’s house.
Watch an excerpt from ‘The Birthday Party’ yourself and tell me what you think:
This is the 28th and last episode of The Flintstones Season Three
To the previous The Flintstones episode: Swedish Visitors
‘The Birthday Party’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Directors: William Hanna & Joseph Barbera
Airing date: January 18, 1963
Stars: The Flintstones
Rating: ★★
Review:
In ‘The Hero’ Fred and Barney both are nominated for the election of ‘Grand Imperial Pooh Bah’ at the Royal Order of Water Buffaloes, but then one of them rescues a baby…
‘The Hero’ progresses in all too predictable strides, and is one of the most boring of the Flintstones episodes. The episode gets a little surreal when Fred’s ‘self’ materializes as a blue doppelganger, haunting our hero. The episode shows how mild the characters had become: Fred certainly behaves much less nasty than in the first series. but with that, some of the sharpness of the humor was also lost.
There are a few stone age gags: a tortoise as a jack, a mammoth as a tow and a porcupine as a hairbrush, but they cannot rescue this boring entry.
Watch an excerpt from ‘The Hero’ yourself and tell me what you think:
This is The Flintstones Season Three episode 18
To the previous The Flintstones episode: Wilma the Maid
To the next Flintstones episode: The Surprise
‘The Hero’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Directors: William Hanna & Joseph Barbera
Airing date: October 26, 1962
Stars: The Flintstones
Rating: ★★
Review:
It’s Wilma’s birthday and Fred buys her a doozy dodo, a talking bird, from a seedy street vendor. At home it first seems the bird doesn’t talk after all, but when Fred and Barney are conspiring to go a three days convention of the Loyal Order of Water Buffaloes in ‘Frantic City’, the bird reveals all to their wives.
This episode follows all familiar tropes existing since the Laurel and Hardy feature ‘Sons of the Desert’ (1933) and is utterly predictable from start to end. The stone age gags bring some light into this listless episode, and involve a sneezing mini mammoth as a malfunctioning vacuum cleaner, a dinosaur bus, and best of all, a monkey-operated traffic light.
Watch an excerpt from ‘The Buffalo Convention’ yourself and tell me what you think:
This is The Flintstones Season Three episode 7
To the previous The Flintstones episode: Here’s Snow in Your Eyes
To the next Flintstones episode: The Little Stranger
‘The Buffalo Convention’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Directors: William Hanna & Joseph Barbera
Airing date: October 5, 1962
Stars: The Flintstones
Rating: ★★
Review:
In this appallingly unfunny episode Fred secretly takes ballet lessons to restore his bowling skills.
This episode starts with a long morning routine in which Wilma tries to wake up Fred. This part contains two stone age gags: Fred shaving himself with a clam containing a bumble bee, and Wilma frying a humongous dinosaur egg. Later we watch Wilma and Betty trying to swap a giant fly, and Wilma’s gigantic Brontosaur ribs dinner for Fred.
These gags are fair, at best, but much better than the main story, which drags on, despite the deadline of a big game Fred hopes to win and its stakes being high. Why Fred doesn’t tell anyone he is taking ballet lessons in the first place is never explained, and this secrecy is as puzzling as discomforting, given the fact that Fred and Wilma are supposed to have a happy marriage.
Watch an excerpt from ‘Bowling Ballet’ yourself and tell me what you think:
This is The Flintstones Season Three episode 4
To the previous The Flintstones episode: Barney the Invisible
To the next Flintstones episode: The Twitch
‘Bowling Ballet’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Director: Chuck Jones
Release date: June 8, 1963
Stars: Bugs Bunny & Wile E. Coyote
Rating: ★★
Review:
‘Hare-breadth Hurry’ is the last of five cartoons in which Chuck Jones combined the Coyote with Bugs Bunny. This is a particularly weird one, as Bugs Bunny replaces the Road Runner, as he explains at the beginning of the short.
The coyote, thus, is his silent self as in other Road Runner cartoons, and not the suave talkative character of ‘Operation: Rabbit’ (1952) or ‘To Hare Is Human’ (1956). In fact, this is a Road Runner cartoon in everything but the coyote’s co-star. In two of the gags Bugs doesn’t even participate, with the coyote hampering himself.
The gags are fair, but Bugs is very talkative, addressing the audience several times, and he’s actually the most tiresome aspect of the cartoon. The end scene, which features a string of gags around a telephone, is the most inspired, but I can hardly count ”Hare-breadth Hurry’ among either the coyote’s or Bugs Bunny’s classics.
Watch ‘Hare-breadth Hurry’ yourself and tell me what you think:
This is Bugs Bunny cartoon No. 161
To the previous Bugs Bunny cartoon: The Million-Hare
To the next Bugs Bunny cartoon: The Unmentionables
‘Hare-breadth Hurry’ is available on the Blu-Ray ‘Looney Tunes Collector’s Choice Vol. 2’
Director: Piet Kroon
Release date: October 13, 2018
Rating: ★★
Review:
The Dutch animated feature film industry long consisted of one movie only, ‘Als je begrijpt wat ik bedoel’ (The Dragon That Wasn’t (Or Was He?)) from 1983. But in recent years several other films saw the light, mostly directed at youngsters: ‘Nijntje de film’ (Miffy the Movie) from 2013 , ‘Pim & Pom: Het Grote Avontuur’ and ‘Trippel Trappel – Dierensinterklaas’, which are both from 2014, and more recently ‘Knor’ (‘Oink’) from 2022 and ‘Vos en haas redden het bos’ from 2024. An oddball within this recent canon is ‘Heinz’ from 2018.
‘Heinz’ was a comic strip by René Windig and Eddie de Jong that run in Dutch newspapers from 1987 to 2000 and again from 2004 to 2006. The comic strip was about a cat, Heinz, who quickly got more anthropomorphized until he became a sort of everyman. The strip knew some continuities but remained first and foremost a gag strip. Nevertheless, the authors dreamt of an animation film at least since the early 2000s.
Although film studio Zig Zag film started working on a film already in 2002, Windig’s and De Jong’s dream never amounted to anything. That is, until the project got new backing and new support from veteran animator Piet Kroon in 2015.
Piet Kroon had ample experience in America, having directed the animation for ‘Osmosis Jones’ (2001) and having worked on stories for a wide variety of animated feature films, e.g. ‘The Iron Giant’ (1999), ‘The Tale of Despereaux’ (2008), ‘Rio’ (2011) and ‘Ferdinand’ (2017). Kroon wrote a completely new story for the film, and with this much of the charm of the original comic strip got lost, and I doubt whether Windig and De Jong are pleased with the end result.
The first aspect of the original comic strip that went out of the window was its family-friendly nature, despite being produced by Burny Bos, who produced some of the best Dutch live action children’s movies. The feature film is clearly directed to adults and has little to offer for younger audiences (in the Netherlands the film is advised for 12 years and older, that says enough). The second major change Kroon made was the setting. The original comic strip takes place in an undefined fantasy Netherlands, but the movie Heinz clearly lives in the center of Amsterdam, which incidentally is also the residence of the comic strip’s two authors.
A more profound and more disturbing change than these two is the change of character of the cat himself. In the comic strip Heinz certainly is cranky, and sometimes insufferable, but in the movie, he is a downright irresponsible drunkard and deadbeat. In fact, in the early scenes the cat is so unsympathetic one wonders why he must watch the cat’s immature antics in the first place. Heinz’s voice by Ruben van der Meer, on the other hand, is well-chosen.
Heinz’s girlfriend Dolly fares little better, as she has changed from a sweet love to a working-class shrew, while Heinz’s friend Frits is nastier and more unsympathetic than his comic book counterpart. Frits also suffers from a bad voice choice (Reinder van der Naalt). In fact, one must look hard for any sympathetic character in the film…
Kroon certainly has tried to put as many characters from the original comic strip as possible into the film, and thus the movie is simply crowded with characters, who mostly make little to no sense to anyone not familiar with the source material. These characters and the rather random inclusion of some gags from the original comic strip make the film too much of an inside joke. On the other hand, the story itself is entertaining enough: it involves time travel, takes Heinz to a remote volcano island and to New York, where he must battle an evil scientist from outer space. But the unsympathetic leads, the plethora of characters, and the random, and often repeated gags make the film a tiresome watch.
The film’s stylistic choices don’t help. The background art is pretty ugly and consists of reworked photo material against which the characters don’t read very well. The ocean is even live action footage. Again, with this method much of the original charm of the comic strip gets lost. The computer animation is a mixed bag. There are a lot of animation cycles, and especially the numerous background characters walk around like automatons with little to no life in them.
No doubt, these technical drawbacks result from an all too tight budget, as it’s a marvel that the film came about in the first place. Most charming are the depictions of Heinz’s fantasies, which consist of traditional animation of René Windig’s idiosyncratic drawings. It’s too bad only these little sequences were made this way.
In all, ‘Heinz’ is a disappointing movie that will attract small audiences, neither satisfying fans of the original comic strip nor anyone else. I cannot find any figures, but I am pretty sure the movie turned out to be a box office flop, and I regret to say unsurprisingly so.
Watch the Dutch trailer for ‘Heinz’ yourself and tell me what you think:
‘Heinz’ is available on DVD (Dutch only)
Directors: William Hanna & Joseph Barbera
Airing date: September 28, 1962
Stars: The Flintstones
Rating: ★★
Review:
This Flintstones episode starts with Barney having the hiccups, while Fred Flintstone is trying to invent a new soda drink in his garage. When Barney drops by, Fred tries to cure Barney’s hiccups with his potion no. 412, which does the trick and renders Barney invisible.
The rest of the episode fails to cash in on this premise, with all invisibility routines being rather lazy and uninspired. Fred even wins a bowling contest using Barney’s invisibility, without any repercussions.
There are a few prehistoric gear gags, like a mammoth and a seal acting like a washing machine, and birds functioning as clothes pins, but for the most part this is a lackluster affair.
‘Barney the Invisible’ is noteworthy, however, for being the first episode starting and ending with the new title song ‘meet the Flintstones’, which is a great improvement on the earlier intro. The accompanying images, too, are much more fun, luckily dumping the rather questionable images of Fred eating dinner for the television without Wilma, which accompanied the original intro.
Watch ‘Barney the Invisible’ yourself and tell me what you think:
https://www.topcartoons.tv/cartoons/barney-the-invisible
This is The Flintstones Season Three episode 3
To the previous The Flintstones episode: Fred’s New Boss
To the next Flintstones episode: Bowling Ballet
‘Barney the Invisible’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Director: Friz Freleng
Release date: September 1, 1962
Stars: Yosemite Sam
Rating: ★★
Review:
‘Honey’s Money’ opens with Yosemite Sam reading about a local widow inheriting five million dollars. He sets out to court the lady immediately, and marries her too, despite the fact that she is ugly. But married life isn’t what Sam had expected, and then he has to meet his oversized baby son Wentworth…
‘Honey’s Money’ is a remake of the earlier Friz Freleng cartoons ‘His Bitter Half’ (1950) and ‘Hare Trimmed’ (1953). The short is noteworthy for being Yosemite Sam’s only solo cartoon, and only one of two not co-starring Bugs Bunny, the other one being ‘Along Came Daffy’ from 1947.
Unfortunately, the short can hardly be called a classic within the Looney Tunes canon: Yosemite Sam is particularly unpleasant in this short, his sole motive being greed. And as he apparently can’t even spend the money, this motive becomes a muddled one. Moreover, the character designs and animation are only fair, and the gags mediocre.
One thus has ample time to admire Hawley Pratt’s layouts and Tom O’Loughlin’s background art, which form the highlight of an otherwise run-of-the-mill cartoon. Another highlight is the card crediting Friz Freleng, which features a caricature of the director on a dollar bill.
Watch ‘Honey’s Money’ yourself and tell me what you think:
‘Honey’s Money’ is available on the Blu-Ray and DVD ‘Looney Tunes Platinum Collection Volume Three’
Director: Witold Giersz
Release date: 1963
Rating: ★★
Review:
‘The Red and the Black’ is a rare attempt at a gag cartoon in a Polish studio. True, the film’s designs are no less avant-garde as that of other contemporary films from the era, this time featuring highly abstracted painted characters, but unlike his countrymen, Witold Giersz aims at laughs.
The film is an addition to a long canon of bullfighting cartoons, with the Red being the bullfighter, and the black being the bull. There are some fine gags, like the two drinking beer together, or the bull suddenly revealing the film makers, but the characters and the action remain emblematic, and Giersz has no sense of timing, so the gags all fall flat. Thus, despite some clever ideas, ‘The Red and the Black’ is a rather tiresome watch, and the film well overstays its welcome.
Watch ‘The Red and the Black’ yourself and tell me what you think:
‘The Red and the Black’ is available on the DVD-set ‘Anthology of Polish Animated Film’
Director: Kazimierz Urbański
Release date: 1962
Rating: ★★
Review:
‘Playthings’ is a film on fighting. The film knows only monochrome yellow and red backgrounds and silhouetted, abstracted human figures and weapons.
The film starts with some designs based on ancient cave paintings. We watch a group of human figures hunt a deer. When one is killed, another group of more tangram-like humans, arrives, and the fighting starts, with more and more advanced weaponry, like cannons, machine guns, tanks, bomber planes. As can be expected, in the end everybody is killed by a giant, probably nuclear explosion. The message of ‘Playthings’ is crystal clear, but the short is too one-dimensional to make a lasting impression.
Watch ‘Playthings’ yourself and tell me what you think:
‘Playthings’ is available on the DVD-set ‘Anthology of Polish Animated Film’
Director: Chuck Jones
Release date: May 20, 1961
Stars: Bugs Bunny, Daffy Duck
Rating: ★★
Review:
By the early 1960s the classic age of animated cartoons was clearly over. ‘The Abominable Snow Rabbit’ clearly shows the insipid state of affairs. Although both animation and background art are still top notch, and a delight to watch, the gags are uninspired and stale, and never reach the heights from similar films of the early 1950s.
In this cartoon Bugs and Daffy both travel underground, apparently on their way to Palm Springs, only to end up in the Himalayas, where they encounter a very cartoony and blue-nosed abominable Snowman. The Snowman is a late addition to a plethora of characters based on Lon Cheney’s depiction of Lenny in ‘Of Mice and Men’ from 1939, without adding anything. Apart from the jaded gags, the cartoon suffers from a large amount of dialogue, rendering the cartoon almost like the “illustrated radio” Chuck Jones detested in contemporary television animation.
Watch ‘The Abominable Snow Rabbit’ yourself and tell me what you think:
This is Bugs Bunny cartoon No. 153
To the previous Bugs Bunny cartoon: Lighter than Hare
To the next Bugs Bunny cartoon: Compressed Hare
This is Daffy Duck cartoon No. 87
To the previous Daffy Duck cartoon: Person to Bunny
To the next Daffy Duck cartoon: Daffy’s Inn Trouble
‘The Abominable Snow Rabbit’ is available on the DVD-box ‘Looney Tunes Golden Collection Volume Five’
Director: Jan Švankmajer
Release date: January 26, 2018
Rating: ★★
Review:
‘Insect’ is Jan Švankmajer’s last film. Even though at the time of writing the Czech master of surrealist cinema is still alive, he announced this film as such. It sure was a difficult film to make, as even crowdfunding was needed to finish the movie.
Unfortunately, the film is not a grand finale to Švankmajer’s glorious oeuvre. Sure, the film’s main story is interesting enough and shows all elements of the Czech director’s idiosyncratic style: surrealist events, morbid humor, extreme close-ups, claustrophobic spaces, a preoccupation with food, and even a splash of stop-motion and cut-out animation, rarely seen since the 1980’s.
In this story an amateur company rehearses the 1921 play ‘Pictures from the Insects’ Life’ by the Čapek brothers. Only part of the troupe is present, and the film features only six characters, who are cramped into a dark, poorly lit space, which give the film an eerie feeling the actors are trapped like insects themselves. Four actors are bullied by an overt ambitious director, while the sixth sleeps through most of the rehearsal. While the inapt actors act out a few scenes from the play, strange events start happening, like insects appearing everywhere, and a dummy coming to life, and several of the actors don’t live through the end of the rehearsing.
This story shows a strong unity of time and space, and is told by Švankmajer with gusto, while his actors delight in portraying the clumsy actors, one even worse on the stage than the other. The actor’s antics are often accompanied by the beginning of Bedřich Smetana’s overture to ‘The Bartered Bride’ (1866), the lively sounds of which contrast heavily with the bad acting on the stage. The sound design, too, is excellent, with its well-chosen unpleasant sounds, as of crawling insects.
However, apparently this main story wasn’t enough material to fill a complete feature length film, and thus the action is constantly interrupted by behind-the-scene footage, showing how the film was made, as well as the real actors telling about their dreams. These scenes often reveal the tricks involved in the film making, and thus spoil the fun of the surrealist main story. But more importantly, they greatly disrupt the main narrative, and the viewer is constantly thrown in and out of the story, which makes the film a frustrating watch, indeed. This choice of adding an extra layer to the film actually makes it a weaker product than it could have been, and although it’s nice to watch Jan Švankmajer at work, it makes the film a sad farewell to his illustrious career.
Watch the trailer for ‘Insect’ yourself and tell me what you think:
‘Insect’ is available on Blu-Ray and DVD
Director: Nick Park
Release date: January 20, 2018
Rating: ★★
Review:
In ‘Early Man’ some cavemen have to play a soccer match to save their village from oblivion. ‘Early Man’ was Aardman’s seventh feature film, and the fifth using the studio’s trademark Claymation, but when compared to the wonderful movies ‘Wallace & Gromit: The Curse of the Were-Rabbit’ (2005) or ‘Shaun the Sheep Movie’ (2015) ‘Early Man’ is frustratingly lackluster.
Sure, the film is wonderfully made, and clearly with a lot of love, and has the charm of fingerprints being visible on the clay puppets. Moreover, by now, the Aardman studio clearly makes its animation style look easy. Then there are the typical Aardman quirks, like the way replays are shown, or some funny side remarks, the best of which is “Sliced bread? That’s the best thing since… well, ever!”. I particularly liked the idea of the message bird, which not only repeats all that is said to him, but all the accompanying actions, as well. These little touches at times made me laugh out loud.
Unfortunately, the story is not half as good: it’s one long sum of cliches, never venturing into new or surprising story ideas, making the film surprisingly dull. Especially, the football match ticks all the familiar boxes of the sports film, and there are team effort scenes and unconventional training scheme scenes as we had seen already a thousand times, most recently in ‘Kung Fu Panda 3’ (2016) and ‘Cars 3’ (2017), which were both also frustrating affairs story-wise. The characters, too, are in no sense original, and feel emblematical, instead of rounded. Even the main hero Dug is appallingly onedimensional.
As said, ‘Early Man’ especially follows the sports film trope of the underdog winning against all odds but it does so in the laziest way. For example, at one point Goona makes clear to the cavemen that they may have a chance because they can be a team while their opponents are just a bunch of individuals. Now, there’s a chance to make the cavemen’s win believable. And what is done with this idea? Absolutely nothing. As soon as the real match starts, the so-called big difference between the behavior of the star players and the cavemen team on the field disappears. It’s disheartening to watch this saving element being left unused.
The world-building, too, leaves a lot to be desired. ‘Early Man’ doesn’t really play in the stone age, or the bronze age, or whatever. It is set in some fantasy sword-and-sorcery world with bare rocks and active volcanoes. Even the time period of the prologue makes no sense, set in the non-existing ‘Neo-Pleistocene’ and showing us cavemen living next to dinosaurs (in a nice little nod to Willis O’Brien, although the two creatures were apparently called Ray and Harry after that other great stop motion monster animator, Ray Harryhausen).
By the time the main story starts, the dinosaurs have disappeared, but some Flintstones-like gags remain, like little crocodiles as clothespins and a beetle as an electric razor. But then the studio adds some creatures that in no world make any sense whatsoever, like a giant woodlouse, a giant spider, a giant duck with teeth and some giant caterpillars. With these the film makers lost all consistency and believability of a world that was rather shaky to start with.
For example, the only green spot in this world is where ages ago a meteorite struck, but it’s in this world the cavemen live. How the other people survived in the highly hostile environment of the rest of the planet remains an utter mystery. It doesn’t help that most of this world is rendered in the ugliest and laziest computer animation, which contrasts greatly with the fine Claymation.
It seems the film makers too much wanted to make a football (soccer) movie, and got blind for the film’s flaws, which are instantly recognizable to any viewer. Instead, they should have thought things over, both about their story and their world, because the final film is a formulaic drag, and, not surprisingly, became a box office bomb.
Watch the trailer for ‘Early Man’ yourself and tell me what you think:
Director: Norman McLaren
Release date: 1972
Rating: ★★
Review:
In the final stages of his career Norman McLaren apparently got interested in ballet, for three of his final films (‘Pas de deux’, ‘Ballet Adagio’ and ‘Narcissus’) are on the movements of ballet dancers.
‘Ballet Adagio’ is the most straightforward of the three: it is a documentary recording of a two and a half minute pas de deux, danced by David and Anna Marie Holmes, played on a quarter speed and set to the faux-Albinoni adagio in G minor by Remo Giazotto.
There’s no trickery, let alone animation involved – it’s just the two dancers on an empty stage doing their thing. Due to the slow motion one gets ample opportunity to watch the sheer virtuosity of the two dancers, the sometimes almost impossible stunts of the two, and their muscle movements. But, as there’s nothing else going on, the result is as fascinating as it is boring. It doesn’t really matter, for the film’s intentions were purely educational, giving ballet students an opportunity to study movement.
Watch ‘Ballet Adagio’ yourself and tell me what you think:
‘Ballet Adagio’ is available on the DVD Box ‘Norman McLaren – The Master’s Edition’
Director: John Musker
Release date: 1977
Rating: ★★
Review:
‘Little Darlin” is a short animation film that apparently never transcended the pencil test phase. Made by John Musker (of later e.g. ‘The Little Mermaid, ‘Aladdin’ and ‘Moana’ fame) at CalArts, the film immediately shows Musker’s great talent as an animator. All classic animation techniques can be found in this short film, and all are done with the virtuosity of a great talent.
Unfortunately, the film’s designs and story are much less appealing, and the overacting of all three protagonists is tiresome, not funny.
‘Little Darlin” is available on the DVD ‘Giants’ First Steps’
Dr. Grob's Animation Review 