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Director: Ryan Kramer
Airing date: May 27, 2020
Stars: Bugs Bunny, Elmer Fudd
Rating: ★★★
Review:
‘Pool Bunny’ starts with Bugs crossing a scorching hot desert. The chase cartoon starts when the hare enters Elmer Fudd’s swimming pool, but Elmer kicks him out, prompting Bugs Bunny to say: “of course you realize this means… You know what”.
This short is both a nice new take on classic tropes as a homage to the old cartoons. Bugs Bunny is particularly cruel in this cartoon and his revenge on Elmer is sweet, and even includes a classic death scene.
Watch ‘Pool Bunny’ yourself and tell me what you think:
‘Pool Bunny’ is available on the Blu-Ray-set ‘Bugs Bunny 80th Anniversary Collection’
Director: Dan Scanlon
Release date: February 21, 2020
Rating: ★★★
Review:
‘Onward’, Pixar’s 22nd feature film, was the first of a series of four originals after a decade of sequels (the 2010s saw seven sequels compared to a mere four originals), making the 2020s a more interesting decade than the 2010s were. Unfortunately, Pixar’s return to original stories didn’t necessarily mean their films got better. ‘Onward’, at least, is not a bad film, but it never becomes great, either. The movie just lingers in mediocrity, relying too heavily on tried formulas and cliches.
‘Onward’ takes place in a fantasy world populated by elves, unicorns, centaurs, fauns, manticores and so on. But like the human-less worlds of ‘Monsters Inc.’, ‘Cars’ or to a lesser extent the later ‘Elemental’ the makers haven’t made any effort to make this world a really original one, turning it into just another lazy version of suburbia America. The whole idea of ‘Onward’ is that it used to be a magical place, until technology took over, making this world as bland and devoid of magic as ours.
In this world we follow teenager elf Ian, who’s designed as your average clumsy insecure teenager, a sort of Linguini from ‘Ratatouille’ (2007), but blue and with pointed ears. Ian also is one of those protagonists that all too often recur in animation films: one that has lost a parent (see also e.g. ‘Kung Fu Panda’ (2008), ‘The Good Dinosaur‘ (2015) and ‘Abominable’ from 2019). On his birthday Ian makes some resolutions to become a better person, but they are all thwarted, until his mother gives him and his quirky elder brother Barley a gift from their deceased father…
What follows is a truly dangerous quest in which the two brothers must team up to restore their father for just one day. This they do accompanied by their dad’s two legs, for that’s all what Ian managed to retrieve from the spirit world in the first place. Barley’s extensive knowledge of magic, which he got from playing a role game “based on reality” is a great help during their quest. Unfortunately for Barley, despite all his knowledge of magic, he hasn’t got the magic skill, but Ian has.
With their quest the two brothers not only restore magic to their world, Ian also comes to realize that his older brother is not only an annoying looney to be ashamed of, but much more to him. And yet, a more interesting and more original yet sadly underdeveloped character than either two brothers, is Ian’s and Barley’s mother, who comes into action and who dares to take risks to save her boys.
The brothers’ magical quest stands in huge contrast with the mundane world they live in, and the studio never really manages to wed these two worlds. In the end, the whole concept of a fantasy world turned mundane remains a forced and unconvincing one, and that one gift from a random father could restore magic to the entire world is anything but believable, even within the fantasy context.
Moreover, as said, the film relies too much on tropes to tell its stories. The magic in ‘Onward’ feels like a direct copy from the Harry Potter’-films with its use of spells. There is the obligate breakup scene, one that is particularly painful, because by that time Ian should have known better. And then there’s a curse, which actually stands in the way of a plot that should concentrate on the relationship between the two brothers, which the film mostly does, but to which, to me at least, the whole magic idea seems superfluous and unnecessary.
Of course, the power of animation is that it can show impossible things like elves and manticores, but for once, I believe that the film would be more courageous if it would tell the story of two real brothers living in American suburbia, bonding together after the death of their father. For this is the essence of the film, meaning that the fantasy part, despite driving the plot, is mostly fluff. Despite the final resurrection of the father being a beautiful moment in the movie, the film just doesn’t manage to pluck one emotional string like ‘Monsters, Inc.’ (2001), ‘Wall-E’ (2008), ‘Up’ (2009) or ‘Coco’ could. Pixar certainly could do better, something they would luckily prove with their next feature, ‘Soul’.
Watch the trailer for ‘Onward’ yourself and tell me what you think:
‘Onward’ is available on Blu-Ray and DVD
Director: Mike Mitchell
Release date: February 2, 2019
Rating: ★★★
Review:
One of the surprises of 2014 was ‘The Lego Movie’, a surprisingly funny and sophisticated movie, making clever use of the source material, and transcending by far the product placement it actually was. Its huge success spawned the equally great ‘The Lego Batman Movie’ and the much weaker ‘The Lego Ninjago Movie’ (both from 2017), but one had to wait for five years for the true sequel: The Lego Movie 2: The Second Part.
This second movie immediately starts with a new threat to Bricksburg, the city in which Emmett lives, this time from the planet Duplo. In a toddler’s voice the new arrivals claim: “We are from the Planet Duplo, we are here to destroy you”. After some mayhem we jump to five years later, in which Bricksburg has apparently been destroyed and rebuilt as ‘Apocalypseburg’, a Mad Max-like post-apocalyptic world in which according to his girlfriend Lucy there’s no place anymore for niceness and optimism, although Emmett is still full of these things, despite having nightmares of “Armamageddon” (sic).
To make matters worse, a new, almost indestructible alien arrives with the name of General Mayhem, messenger of the shape-shifting Queen Watevra Wa’Nabi from the “Systar System”. What follows is another adventure full of references to other movies (e.g. The Wizard of Oz), which takes place both in the LEGO world and in live action, and in which Emmett meets a though guy called Rex Dangervest, who teach Emmett to grow up, or does he?
Unfortunately, this movie strives too hard to play a similar trick to the LEGO world as the first film, but it does all too obviously so. For example, we could see the origin of ‘Systar system’ from miles away. A huge talent like Maya Rudolph is wasted on the live action scenes, which remain formulaic and unspontaneous. The film’s message, too, is brought right in your face and lacks all the subtleties of the first film. There are some nice touches (for example, Bruce Willis playing a Lego version of himself, some nice 2D animation and a couple of pleasant songs), but overall the film never transcends mediocrity, despite all the evident effort. Thus one must conclude that after two films most of the inspiration for LEGO movies had died out.
Watch the trailer for ‘The Lego Movie 2: The Second Part’ yourself and tell me what you think:
‘The Lego Movie 2: The Second Part’ is available on Blu-Ray and DVD
Director: Walter Lantz
Release date: March 9, 1920
Stars: Jerry on the Job
Rating: ★★★
Review:
Jerry is on a job at a train station, where his boss is plagued by a mosquito. Jerry knows just the way to get rid of the little pest, or does he?
‘The Tale of the Wag’ is a nice little cartoon based on one simple idea. The animation is full of surprising details, like Jerry using his crest as an arm to scratch himself, or Jerry shaking hands with the thought balloon that contains his idea. These little touches rescue an otherwise rather run of the mill short.
Watch ‘The Tale of a Wag’ yourself and tell me what you think:
‘The Tale of a Wag’ is available on the Blu-Ray-DVD combo ‘Cartoon Roots: The Bray Studios Animation Pioneers’
Director: Earl Hurd
Release date: April 23, 1919
Stars: Bobby Bumps and Fido
Rating: ★★★
Review:
‘Bobby Bumps’ Pup Gets the Flea-Enza’ is a funny take on the devastating Spanish Flu epidemic of 1918-1920. In this cartoon Bobby Bumps and Fido both think Fido’s got the influenza, while he only got a flea (depicted as a black devilish little man).
The humor is mild, but Earl Hurd once again demonstrates to be one of the best animators of the era. Every shot and move look smooth and elegant. The best gag may be the visit to the horse doctor.
‘Bobby Bumps’ Pup Gets the Flea-Enza’ is available on the Blu-Ray-DVD combo ‘Cartoon Roots: The Bray Studios Animation Pioneers’
Director: Max Fleischer
Release date: October 14, 1919
Stars: Max Fleischer, Koko the Clown
Rating: ★★★
Review:
Max en Dave Fleischer were two true animation pioneers. In 1915 they invented the rotoscope, which they patented that year. With rotoscope they could capture live action movement as drawings on paper. Their first rotoscope tests featured Dave Fleischer in a clown suit, and these were the origin of Koko the Clown, star of ‘Out of the Inkwell’ series.
The two brothers started to make these shorts for J.R. Bray from 1919 on, but they only became a real series in 1920, and Koko got his name much later, in 1923. ‘The Tantalizing Fly’ is but the second ‘Out of the Inkwell’ short, yet it already shows the merit of rotoscope and the brothers’ imaginative way of storytelling.
In ‘The Tantalizing Fly’ Max Fleischer is hindered by a fly while drawing Koko. He tries to swat it, but hits Koko instead. Then it’s Koko’s turn. He tries to lure the fly by drawing a bald sitting man, but only manages in hitting the man instead of the fly.
The idea of an animator drawing a character is as old as animation itself, and clocking less than four minutes ‘The Tantalizing Fly’ is frustratingly short, leaving room for just a few gags, but Fleischer’s mix of animation, rotoscope and live action is fun to watch, and shows that the two brothers were among the most interesting animation film makers of their time.
Watch ‘The Tantalizing Fly’ yourself and tell me what you think:
‘The Tantalizing Fly’ is available on the Blu-Ray ‘Cartoon Roots: The Bray Studios Animation Pioneers’ and on the DVD-set ‘Popeye the Sailor 1933-1938’
Directors: Troy Quane & Nick Bruno
Release date: December 4, 2019
Rating: ★★★
Review:
In the opening scenes of ‘Spies in Disguise’ we are introduced to young boy Walter Beckett, the son of a single mom, who’s a police officer. Walter is a ‘weirdo’ to his class mates, but secretly a genius, inventing all kinds of surprisingly peaceful weapons for his mom. Fourteen years later, he has found employment at ‘H.T.U.V.’, a non-existing American spy agency, as one of the inventors cooking up new weaponry for the organization’s spies.
Superstar among these spies is Lance Sterling. Voiced by Will Smith, Sterling is a black version of James Bond: clear-headed, cool and on the cocky side. But things quickly turn against him, when an unknown villain takes his identity, and Sterling becomes hunted by his own agency. To redeem his name, he unwillingly has to team up with Walter and his pacifist weaponry, which includes a very unlikely transformation of the hero…
‘Spies in Disguise’ was adapted from the 2009 animated short ‘Pigeon: Impossible’ and is for the most part standard spy fare, taking place in faraway places like Mexico and Venice. The buddy theme is also tried material, and there are the obligate scenes of almost every American animated feature film of the era, like the obligate breakup scene, and a ‘all hope is lost’ moment. No, the most original aspect of ‘Spies in Disguise’ lies in its strong pacifist theme. As Walter puts it: “when you fight fire with fire, we all get burned”. Even the villain, who certainly meant the worst, is spared in the end.
Artistically the film remains on safe grounds. The human designs are dull and uninspired. For example, Walter is yet another variation on ‘the clumsy young man’ design, akin to Linguini in ‘Ratatouille’ (2007) or Johnny Loughran in ‘Hotel Transylvania’ (2012), while Lance Sterling is too clearly modelled on Smith’s coolest film roles, like that of agent J in ‘Men in Black’ (1997). The rest of the designs are on the angular side, without ever venturing into bold stylization. The color palette is perhaps the most interesting aspect of the film.
Unfortunately, Blue Sky wasn’t allowed to show if it could venture into more exciting territories, because ‘Spies in Disguise’ was the last feature film by the ill-fated animation studio. When Disney bought 20th Century Fox in March 2019 it acquired the animation studio with it. Of course, Disney had no use for yet another animation studio, and thus ‘Blue Sky’ was closed in 2021, officially due to the consequences of the covid pandemic…
Watch the first trailer of ‘Spies in Disguise’ yourself and tell me what you think:
‘Spies in Disguise’ is available on Blu-Ray and DVD
Director: Miguel Jiron
Release date: February 26, 2019
Stars: Spider-Ham
Rating: ★★★
Review:
‘Spider-Ham – Caught in a Ham’ is an attempt to show how a ‘Spider-Ham’ animated cartoon would look like.
The result is a clear homage to the classic Warner Bros. Cartoons, although there’s also a Tex Avery style corridor with doors gag, while the background art harks back to the 1990s work of Genndy Tarkovsky and Craig McCracken, and the evil scientists to the work of John Kricfalusi for ‘Ren & Stimpy’. This shows that the 1990s renaissance has become as much as a reference point for contemporary film makers as the original cartoons of the 1930s, 1940s and 1950s were.
‘Spider-Ham – Caught in a Ham’ is not particularly funny, and the character is way too talkative, but there’s a series of nice ‘Duck Amuck‘-like meta-gags before the short turns out to be a prequel to the ‘Spider-man into the Spider-verse’ main movie, which the short accompanies on the DVD.
Watch ‘Spider-Ham – Caught in a Ham’ yourself and tell me what you think:
‘Spider-Ham – Caught in a Ham’ is available on the Blu-Ray and DVD of ‘Spider-Man – Into the Spider-Verse’
Directors: Norman McLaren & Evelyn Lambart
Release date: 1962
Rating: ★★★
Review:
‘Lines Horizontal’ is essentially ‘Lines Vertical‘ from 1960, but turned 90 degrees, re-colored and with a new, rather folky soundtrack by Peter Seeger. Even though the patterns are essentially the same, the result feels like a new film, especially because the horizontal lines cause some different effects to the eye, like creating non-existent triangles.
‘Lines Vertical’ and ‘Lines Horizontal’ both are extreme films in that they only use parallel lines, but Norman McLaren and Evelyn Lambart are able to turn this extreme concepts into intriguing films, thanks to their timing and overall structure, which follows an inner logic.
Watch ‘Lines Horizontal’ yourself and tell me what you think:
‘Lines Horizontal’ is available on the DVD-box ‘Norman McLaren – The Master’s Edition’
Directors: Chuck Jones & Abe Levitow
Release date: December 29, 1962
Rating: ★★★
Review:
‘Martian Through Georgia’ is narrated by Ed Prentiss and tells about a Martian (typically designed as a little green man, if a rather frog-like one).
This Martian is so bored by his own society, his psychiatrist advices him to travel. So the Martian sets out for Earth, where things are very different, indeed. Nevertheless, the Martian finds little happiness on our planet, and in the end goes back home, with renewed love for his home planet (or at least one of its female inhabitants).
‘Martian Through Georgia’ knows a very lame and disappointing ending and is far from funny, but the film’s character designs and animation are of a high quality. Yet, the film’s main attraction are its avant-garde layouts by Maurice Noble and background art by Philip DeGuard. Noble goes completely wild, so the artwork becomes a marvel from start to end. So even if the story fails to inspire, the film’s looks remain entertaining throughout.
Watch excerpts from ‘Martian Through Georgia’ yourself and tell me what you think:
‘Martian Through Georgia’ is available on the DVD-set ‘Looney Tunes Golden Collection Volume Six’
Director: Norman McLaren
Production date: March 17, 1966
Rating: ★★★
Review:
‘The Seasons’ is an unfinished film in which Norman McLaren tried to emulate the Canadian landscape in several moving paintings.
The ever changing pastel paintings never cease to amaze, with their metamorphosis of clouds, seascapes and landscapes, but McLaren deemed the film too abstract to entertain and never finished it. Thus, we are left with loose images without a soundtrack, and indeed, in this state, the result is still a little too boring to sit out, despite its short length of only four minutes. And yet, the images themselves are so beautiful it’s a pity this short never reached a final state.
‘The Seasons’ is available on the DVD-box ‘Norman McLaren – The Master’s Edition’
Director: Walerian Borowczyk
Release date: 1959
Rating: ★★★
Review:
‘Les Astronautes’ was the first film the Polish film maker Walerian Borowczyk made in France. In this short a mustached inventor with a pipe builds his own spaceship.
This film is as surreal as it is silly and it consist of several hardly related gags. For example, the first thing the man does with his spaceship is spying on a woman dressing. Throughout, Borowczyk combines pixilation and cut-out animation of hand-colored photographs to a great effect. The surreal atmosphere is enhanced by Andrzej Markowski’s electronic score and sounds.
‘Les Astronautes’ may be of little substance, it’s an entertaining film, nonetheless.
Watch ‘Les Astronautes’ yourself and tell me what you think:
‘Les Astronautes’ is available on the Blu-Ray/DVD set ‘Walerian Borowczyk: Short Films and Animation’
Director: Roman Davidov
Release date: 1963
Rating: ★★★
Review:
‘The Shareholder’ is the third of three animated Soviet propaganda shorts aimed at American capitalism from 1963, the other two being ‘Mister Twister‘ and ‘The Millionaire‘.
Of the three this short is by far the most interesting visually. The short uses a strikingly graphic style and cel animation of the highest quality. The animators working on this short clearly have full command of the human and animal form, making this propaganda short a feast for the eye. The story, on the other hand, is not as attractive: at 24 minutes it is slow, meandering, repetitive and overlong.
‘The Shareholder’ is worker Michael Chase, who is made shareholder of the Pearson company. But when he gets fired, he soon discovers that this share is worth nothing, nor are his possessions, which were all bought on credit. Broken and without a job he wanders the streets.
The film’s highlight is the scene in which Michael Chase loses all his possessions: they change into cheaper and cheaper forms for his eye, before vanishing altogether. It’s also interesting to note that the film predicts how robotization leads to unemployment. However, the film’s message remains fuzzy, and its ending unclear.
Watch ‘The Shareholder’ yourself and tell me what you think:
‘The Shareholder’ is available on the DVD set ‘Animated Soviet Propaganda’
Directors: Vitold Bordzilovsky & Yuri Prytkov
Release date: 1963
Rating: ★★★
Review:
‘The Millionaire’ is an animated Soviet propaganda film, aimed at American capitalists, just like ‘Mister Twister‘ and ‘The Shareholder’ from the same year. Of the three its visuals are the most conventional: the simple cartoon style harks back to the 1930s and 1940s and is a little reminiscent of the work by Otto Soglow.
Like in ‘Mister Twister’, the story is narrated in rhyme, and this time tells about a bulldog which inherits a great fortune from an old lady. Now the dog is top of the bill, he behaves more and more human-like. He even manages to be elected into the senate, where, as a true capitalist (according to the narrator), he opposes peace. The short’s moral is a little unclear, but seems to be that money can even make the dumbest person mighty. Like in ‘Mister Twister’ the animation is emblematic, although there are some good takes on the dog.
Watch ‘The Millionaire’ yourself and tell me what you think:
‘The Millionaire’ is available on the DVD set ‘Animated Soviet Propaganda’
Director: Robert McKimson
Release date: April 1, 1963
Stars: Bugs Bunny, Daffy Duck
Rating: ★★★
Review:
In ‘The Million-Hare’ Daffy Ducks spends his holiday at Bugs’s place, watching tv. The action only starts when their two names are mentioned on tv as contestants in a ‘buddy race’: whoever gets first to the studio, wins.
What follows is a series of rather Roadrunner-like gags, in which gravity often is as much Daffy’s enemy as it were the coyote’s in the Roadrunner films. The cartoon is very talkative, but some of the gags are good. I liked Bugs’s wonderings about Daffy’s abilities.
The staging on the other hand, is often rather odd. I especially thought that the characters were a little too big on the screen several times.
Watch two excerpts from ‘The Million-Hare’ yourself and tell me what you think:
This is Bugs Bunny cartoon No. 160
To the previous Bugs Bunny cartoon: Devil’s Feud Cake
To the next Bugs Bunny cartoon: Hare-Breath Hurry
This is Daffy Duck cartoon no. 92
To the previous Daffy Duck cartoon: Fast Buck Duck
To the next Daffy Duck cartoon: Aqua Duck
‘The Million-Hare’ is available on the Blu-Ray-set ‘Bugs Bunny 80th Anniversary Edition’
Director: Chuck Jones
Release date: June 6, 1964
Stars: Road Runner & Wile E. Coyote
Rating: ★★★
Review:
‘War and Pieces’ was the last Road Runner cartoon directed by Chuck Jones himself, although there would follow fourteen more by other directors.
It’s a nice, if not too outstanding entry, with seven attempts, including a bizarre ‘secrets of the harem’ kinetoscope gag as well as invisible paint. The most outlandish is the one in which the coyote shoots himself right through the earth only to meet a Chinese roadrunner at the other side.
The background art is gorgeous throughout this cartoon, but particularly noteworthy during these Chinese scenes, which apparently inspired Maurice Noble to some of the craziest designs. These make ‘War and Pieces’ more than just a nice watch.
Watch an excerpt from ‘War and Pieces’ yourself and tell me what you think:
‘War and Pieces’ is available on the Blu-Ray ‘Looney Tunes Collector’s Choice Vol. 3’
Director: Gerry Chiniquy
Release date: January 18, 1964
Stars: Bugs Bunny, Yosemite Sam, Porky Pig
Rating: ★★★
Review:
‘Dumb Patrol’ is the last of the Bugs Bunny vs. Yosemite Sam cartoons, being the last screen appearance by the hot-tempered little villain, after a career of nineteen years. Set in World War I the film is dedicated to an air battle between Bugs and Sam, here billed as Sam von Shpamm.
Gerry Chiniquy’s timing is all too relaxed, and unfortunately there’s way too much talking, but there are some fine gags, like Sam shooting his own plane to pieces. The short is no standout, but certainly no bad farewell to the little mustached character. Note Porky Pig’s short cameo as a French soldier.
Watch ‘Dumb Patrol’ yourself and tell me what you think:
This is Bugs Bunny cartoon No. 165
To the previous Bugs Bunny cartoon: Transylvania 6-5000
To the next Bugs Bunny cartoon: Dr. Devil and Mr. Hare
‘Dum Patrol’ is available on the Blu-Ray ‘Looney Tunes Collector’s Choice Vol. 3’
Director: Robert McKimson
Release date: January 20, 1962
Stars: Bugs Bunny
Rating: ★★★
Review:
In ‘Wet Hare’ Bugs Bunny battles one ‘Black Jack Shellac’ over a waterfall which the apparently French Canadian wants to dam (we’ll never know why).
The gags are not as they could have been due to McKimson’s all to relaxed timing and the talkative characters. Nevertheless, Bugs’ final scheme is a fine one, as are his Al Jolson-impersonations when singing under the waterfall, which mean that Mel Blanc manages to make Bugs Bunny sound like himself and like Al Jolson at the same time!
Watch ‘Wet Hare’ yourself and tell me what you think:
This is Bugs Bunny cartoon No. 156
To the previous Bugs Bunny cartoon: Prince Violent
To the next Bugs Bunny cartoon: Bill of Hare
‘Wet Hare’ is available on the Blu-Ray ‘Looney Tunes Collector’s Choice Vol. 3’
Directors: William Hanna & Joseph Barbera
Airing date: March 22, 1963
Stars: The Flintstones
Rating: ★★★
Review:
In ‘The Big Move’ young Pebbles triggers the action. When her first words turn out to be ‘scooby dooby doo’, ‘shoot pool’ and ‘play poker’, thanks to Barney, Fred wants to move to a more upper class neighborhood, so Pebbles can get a proper influence.
Soon he and Wilma move upon hill to a land leased house in the snubbiest neighborhood imaginable. Fred immediately starts lying about his car, his ‘personnel’ and his work, much to Wilma’s chagrin. But of course he misses Barney before soon, and with an unlikely scheme (with Barney and Betty posing as some hillbilly family) things are soon back to normal.
‘The Big Move’ is very predictable, and Fred behaves absolutely detestably in this episode. Most interesting is his bedtime story to Pebbles, with which the episode starts and the expression ‘scooby dooby doo’ six years before Hanna-Barbera launched the series featuring the famous hound and mystery solving team.
Watch an excerpt from ‘The Big Move’ yourself and tell me what you think:
This is The Flintstones Season Three episode 26
To the previous The Flintstones episode: Ventriloquist Barney
To the next Flintstones episode: Swedish Visitors
‘The Big Move’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Directors: William Hanna & Joseph Barbera
Airing date: January 25, 1963
Stars: The Flintstones
Rating: ★★★
Review:
‘The Surprise’ is the first episode in what was to become the first continuum in television animation. The show starts with Betty pushing a baby carriage. The carriage contains little Marblehead, her nephew.
Barney completely falls for the baby, and even forsakes the last game of the bowling tournament, making his team lose. Fred, of course, is not amused, and throughout the episode expresses a disliking of babies. Of course, he softens up as time progresses, and then Wilma indeed has some surprising news.
The whole episode is more gentle and cute than genuinely funny, but Fred’s doubletake when Barney and Betty catch him entertaining little Marblehead is priceless. The episode is also noteworthy for Fred addressing the public directly at the end.
The stone age gags, meanwhile, are modest: a crab and a bird used as scissors, and a mammoth as a water hose. None of these animals speaks, which spares us some lame gags.
Watch an excerpt from ‘The Surprise’ yourself and tell me what you think:
This is The Flintstones Season Three episode 19
To the previous The Flintstones episode: The Hero
To the next Flintstones episode: Mother-in-Law’s Visit
‘The Surprise’ is available on the Blu-Ray ‘The Flintstones – The Complete Series’ and the DVD-box ‘The Flintstones Season 3’
Dr. Grob's Animation Review 